The Count of Monte Cristo by Alexandre Dumas (have you read this book TXT) 📕
- Author: Alexandre Dumas
- Performer: 0140449264
Book online «The Count of Monte Cristo by Alexandre Dumas (have you read this book TXT) 📕». Author Alexandre Dumas
The heroine of the bouquet kept her word; she gave Albert no sign of her existence the morrow or the day after.
At length Tuesday came, the last and most tumultuous day of the Carnival. On Tuesday, the theatres open at ten o’clock in the morning, as Lent begins after eight at night. On Tuesday, all those who through want of money, time, or enthusiasm, have not been to see the Carnival before, mingle in the gayety, and contribute to the noise and excitement. From two o’clock till five Franz and Albert followed in the fête, exchanging handfuls of confetti with the other carriages and the pedestrians, who crowded amongst the horses’ feet and the carriage wheels without a single accident, a single dispute, or a single fight.
The fêtes are veritable pleasure days to the Italians. The author of this history, who has resided five or six years in Italy, does not recollect to have ever seen a ceremony interrupted by one of those events so common in other countries. Albert was triumphant in his harlequin costume. A knot of rose-colored ribbons fell from his shoulder almost to the ground. In order that there might be no confusion, Franz wore his peasant’s costume.
As the day advanced, the tumult became greater. There was not on the pavement, in the carriages, at the windows, a single tongue that was silent, a single arm that did not move. It was a human storm, made up of a thunder of cries, and a hail of sweetmeats, flowers, eggs, oranges, and nosegays.
At three o’clock the sound of fireworks, let off on the Piazza del Popolo and the Piazza di Venezia (heard with difficulty amid the din and confusion) announced that the races were about to begin.
The races, like the moccoli, are one of the episodes peculiar to the last days of the Carnival. At the sound of the fireworks the carriages instantly broke ranks, and retired by the adjacent streets. All these evolutions are executed with an inconceivable address and marvellous rapidity, without the police interfering in the matter. The pedestrians ranged themselves against the walls; then the trampling of horses and the clashing of steel were heard. A detachment of carbineers, fifteen abreast, galloped up the Corso in order to clear it for the barberi. When the detachment arrived at the Piazza di Venezia, a second volley of fireworks was discharged, to announce that the street was clear.
Almost instantly, in the midst of a tremendous and general outcry, seven or eight horses, excited by the shouts of three hundred thousand spectators, passed by like lightning. Then the Castle of Saint Angelo fired three cannon to indicate that number three had won.
Immediately, without any other signal, the carriages moved on, flowing on towards the Corso, down all the streets, like torrents pent up for a while, which again flow into the parent river; and the immense stream again continued its course between its two granite banks.
A new source of noise and movement was added to the crowd. The sellers of moccoletti entered on the scene. The moccoli, or moccoletti, are candles which vary in size from the pascal taper to the rushlight, and which give to each actor in the great final scene of the Carnival two very serious problems to grapple with,—first, how to keep his own moccoletto alight; and secondly, how to extinguish the moccoletti of others. The moccoletto is like life: man has found but one means of transmitting it, and that one comes from God. But he has discovered a thousand means of taking it away, and the devil has somewhat aided him. The moccoletto is kindled by approaching it to a light. But who can describe the thousand means of extinguishing the moccoletto?—the gigantic bellows, the monstrous extinguishers, the superhuman fans. Everyone hastened to purchase moccoletti—Franz and Albert among the rest.
The night was rapidly approaching; and already, at the cry of “Moccoletti!” repeated by the shrill voices of a thousand vendors, two or three stars began to burn among the crowd. It was a signal. At the end of ten minutes fifty thousand lights glittered, descending from the Palazzo di Venezia to the Piazza del Popolo, and mounting from the Piazza del Popolo to the Palazzo di Venezia. It seemed like the fête of Jack-o’-lanterns.
It is impossible to form any idea of it without having seen it. Suppose that all the stars had descended from the sky and mingled in a wild dance on the face of the earth; the whole accompanied by cries that were never heard in any other part of the world. The facchino follows the prince, the Transteverin the citizen, everyone blowing, extinguishing, relighting. Had old Æolus appeared at this moment, he would have been proclaimed king of the moccoli, and Aquilo the heir-presumptive to the throne.
This battle of folly and flame continued for two hours; the Corso was light as day; the features of the spectators on the third and fourth stories were visible.
Every five minutes Albert took out his watch; at length it pointed to seven. The two friends were in the Via dei Pontefici. Albert sprang out, bearing his moccoletto in his hand. Two or three masks strove to knock his moccoletto out of his hand; but Albert, a first-rate pugilist, sent them rolling in the street, one after the other, and continued his course towards the church of San Giacomo.
The steps were crowded with masks, who strove to snatch each other’s torches. Franz followed Albert with his eyes, and saw him mount the first step.
Instantly a mask, wearing the well-known costume of a peasant woman, snatched his moccoletto from him without his offering any resistance. Franz was too far off to hear what they said; but, without doubt, nothing hostile passed, for he saw Albert disappear arm-in-arm with the peasant girl. He watched them pass through the crowd for some time, but at length he lost sight of them in the Via Macello.
Suddenly the bell that gives the signal for the end of the Carnival sounded, and at the same instant all the moccoletti were extinguished as if by enchantment. It seemed as though one immense blast of the wind had extinguished everyone.
Franz found himself in utter darkness. No sound was audible save that of the carriages that were carrying the maskers home; nothing was visible save a few lights that burnt behind the windows.
The Carnival was over.
Chapter 37. The Catacombs of Saint Sebastian
In his whole life, perhaps, Franz had never before experienced so sudden an impression, so rapid a transition from gayety to sadness, as in this moment. It seemed as though Rome, under the magic breath of some demon of the night, had suddenly changed into a vast tomb. By a chance, which added yet more to the intensity of the darkness, the moon, which was on the wane, did not rise until eleven o’clock, and the streets which the young man traversed were plunged in the deepest obscurity.
The distance was short, and at the end of ten minutes his carriage, or rather the count’s, stopped before the Hôtel de Londres.
Dinner was waiting, but as Albert had told him that he should not return so soon, Franz sat down without him. Signor Pastrini, who had been accustomed to see them dine together, inquired into the cause of his absence, but Franz merely replied that Albert had received on the previous evening an invitation which he had accepted.
The sudden extinction of the moccoletti, the darkness which had replaced the light, and the silence which had succeeded the turmoil, had left in Franz’s mind a certain depression which was not free from uneasiness. He therefore dined very silently, in spite of the officious attention of his host, who presented himself two or three times to inquire if he wanted anything.
Franz resolved to wait for Albert as late as possible. He ordered the carriage, therefore, for eleven o’clock, desiring Signor Pastrini to inform him the moment that Albert returned to the hotel.
At eleven o’clock Albert had not come back. Franz dressed himself, and went out, telling his host that he was going to pass the night at the Duke of Bracciano’s. The house of the Duke of Bracciano is one of the most delightful in Rome, the duchess, one of the last heiresses of the Colonnas, does its honors with the most consummate grace, and thus their fêtes have a European celebrity.
Franz and Albert had brought to Rome letters of introduction to them, and their first question on his arrival was to inquire the whereabouts of his travelling companion. Franz replied that he had left him at the moment they were about to extinguish the moccoli, and that he had lost sight of him in the Via Macello.
“Then he has not returned?” said the duke.
“I waited for him until this hour,” replied Franz.
“And do you know whither he went?”
“No, not precisely; however, I think it was something very like a rendezvous.”
“Diavolo!” said the duke, “this is a bad day, or rather a bad night, to be out late; is it not, countess?”
These words were addressed to the Countess G——, who had just arrived, and was leaning on the arm of Signor Torlonia, the duke’s brother.
“I think, on the contrary, that it is a charming night,” replied the countess, “and those who are here will complain of but one thing, that of its too rapid flight.”
“I am not speaking,” said the duke with a smile, “of the persons who are here; the men run no other danger than that of falling in love with you, and the women of falling ill of jealousy at seeing you so lovely; I meant persons who were out in the streets of Rome.”
“Ah,” asked the countess, “who is out in the streets of Rome at this hour, unless it be to go to a ball?”
“Our friend, Albert de Morcerf, countess, whom I left in pursuit of his unknown about seven o’clock this evening,” said Franz, “and whom I have not seen since.”
“And don’t you know where he is?”
“Not at all.”
“Is he armed?”
“He is in masquerade.”
“You should not have allowed him to go,” said the duke to Franz; “you, who know Rome better than he does.”
“You might as well have tried to stop number three of the barberi, who gained the prize in the race today,” replied Franz; “and then moreover, what could happen to him?”
“Who can tell? The night is gloomy, and the Tiber is very near the Via Macello.” Franz felt a shudder run through his veins at observing that the feeling of the duke and the countess was so much in unison with his own personal disquietude.
“I informed them at the hotel that I had the honor of passing the night here, duke,” said Franz, “and desired them to come and inform me of his return.”
“Ah,” replied the duke, “here I think, is one of my servants who is seeking you.”
The duke was not mistaken; when he saw Franz, the servant came up to him.
“Your excellency,” he said, “the master of the Hôtel de Londres has sent to let you know that a man is waiting for you with a letter from the Viscount of Morcerf.”
“A letter from the viscount!” exclaimed Franz.
“Yes.”
“And who is the man?”
“I do not know.”
“Why did he not bring it to me here?”
“The messenger did not say.”
“And where is the messenger?”
“He went away directly he saw me enter the ball-room to find you.”
“Oh,” said the countess to Franz, “go with all speed—poor young man! Perhaps some accident has happened to
Free e-book «The Count of Monte Cristo by Alexandre Dumas (have you read this book TXT) 📕» - read online now
Comments (0)