Genre Classic. Page - 1
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ks for thee seek out Some other spoil? no common fund have we Of hoarded treasures; what our arms have won From captur'd towns, has been already shar'd, Nor can we now resume th' apportion'd spoil. Restore the maid, obedient to the God! And if Heav'n will that we the strong-built walls Of Troy should raze, our warriors will to thee A threefold, fourfold recompense assign."To whom the monarch Agamemnon thus: "Think not, Achilles, valiant though thou art In fight, and godlike, to
g, comfortlessAnd haunted! Ah, my side, my brow And temples! All with changeful pain My body rocketh, and would fain Move to the tune of tears that flow: For tears are music too, and keep A song unheard in hearts that weep. [She rises and gazes towards the Greek ships far off on the shore. O ships, O crowding faces Of ships[9], O hurrying beat Of oars as of crawling feet, How found ye our holy places? Threading the narrows through, Out from the gulfs of the Greek, Out to the clear dark blue,
attributed to Confucius. But much of the Li Chi is from later hands. Of the Yi, the Shu, and the Shih, it is only in the first that we find additions attributed to the philosopher himself, in the shape of appendixes. The Ch'un Ch'iu is the only one of the five Ching which can, with an approximation to correctness, be described as of his own 'making.'1 ¤¸g. 2 ¥|®Ñ. 3 ©ö¸g. 4 ®Ñ¸g. 5 ¸Ö¸g. 6 §°O. 7 ¬K¬î. 'The Four Books' is an abbreviation for 'The Books of the Four Philosophers [1].' The first
67, is a certain fact, of which nobody will deny the sister island the honour and glory; but, it seems to me, he was no more an Irishman than a man born of English parents at Calcutta is a Hindoo. Goldsmith was an Irishman, and always an Irishman: Steele was an Irishman, and always an Irishman: Swift's heart was English and in England, his habits English, his logic eminently English; his statement is elaborately simple; he shuns tropes and metaphors, and uses his ideas and words with a wise
Raynold Cobham, and their company rode out on the one side and wastedand exiled the country, as the lord Harcourt had done; and the kingever rode between these battles, and every night they lodged together.OF THE GREAT ASSEMBLY THAT THE FRENCH KING MADE TO RESIST THE KING OFENGLAND Thus by the Englishmen was brent, exiled, robbed, wasted and pilledthe good, plentiful country of Normandy. Then the French king sent forthe lord John of Hainault, who came to him with a great number: alsothe king
se those things are called substances within which, as species, the primary substances are included; also those which, as genera, include the species. For instance, the individual man is included in the species 'man', and the genus to which the species belongs is 'animal'; these, therefore-that is to say, the species 'man' and the genus 'animal,-are termed secondary substances.It is plain from what has been said that both the name and the definition of the predicate must be predicable of the
ely, Plot, Character, Diction, Thought, Spectacle, Song. Two of the parts constitute the medium of imitation, one the manner, and three the objects of imitation. And these complete the list. These elements have been employed, we may say, by the poets to a man; in fact, every play contains Spectacular elements as well as Character, Plot, Diction, Song, and Thought.But most important of all is the structure of the incidents. For Tragedy is an imitation, not of men, but of an action and of life,
To save their fleet their last efforts they try, And stones and darts in mingled tempests fly. As when sharp Boreas blows abroad, and brings The dreary winter on his frozen wings; Beneath the low-hung clouds the sheets of snow Descend, and whiten all the fields below: So fast the darts on either army pour, So down the rampires rolls the rocky shower: Heavy, and thick, resound the batter'd shields, And the deaf echo rattles round the fields. With shame repulsed, with grief and fury driven, The
nd albeit they all leade us with a common accord to despise povertie, and other accidental! crosses, to whichOmnes eodem cogimur, omnium Versatur urna, serius, ocius Sors exitura, et nos in aeternum Exilium impositura cymbae, [Footnote: Hor. I. iii. Od. iii. 25.] All to one place are driv'n, of all Shak't is the lot-pot, where-hence shall Sooner or later drawne lots fall, And to deaths boat for aye enthrall. And by consequence, if she makes us affeard, it is a continual subject of torment, and
kly to do any good. A school would be his death. When he comes tobe a little stronger, who knows what a year or two's Latin may do forhim?HARDCASTLE. Latin for him! A cat and fiddle. No, no; the alehouseand the stable are the only schools he'll ever go to. MRS. HARDCASTLE. Well, we must not snub the poor boy now, for Ibelieve we shan't have him long among us. Anybody that looks in hisface may see he's consumptive. HARDCASTLE. Ay, if growing too fat be one of the symptoms. MRS. HARDCASTLE. He
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Класика как жанр литературы
Литературный жанр "классика" - это не просто старые книги, это источник мудрости, богатства и глубины. Классическая литература представляет собой непереходящие произведения, которые проникают в самые глубокие уголки человеческой души…
Основные элементы классики
Основные элементы классического жанра включают в себя мастерскую изобразительность, глубокий характер разработки персонажей и тщательно проработанный сюжет. Эти произведения часто затрагивают вечные темы, такие как любовь, человеческая судьба, нравственность и нравы, что делает их актуальными для читателей разных поколений.
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