Miscellaneous Papers by Charles Dickens (e books for reading .txt) 📕

everything they don’t like. So as it was impossible for us to climb up to the church where the wedding was to be, we contented ourselves with seeing the procession pass.

It was not a very large one, for, it requiring some activity to go up, all the old people remained at home. It is not etiquette for the bride’s mother to go, and no unmarried woman can go to a wedding—I suppose for fear of its making her discontented with her own position. The procession stopped at our door, for the bride to receive our congratulations. She was dressed in a shot silk, with a yellow handkerchief, and rows of a large gold chain. In the afternoon they sent to request us to go there. On our arrival we found them dancing out of doors, and a most melancholy affair it was. All the bride’s sisters were not to be recognised, they had cried so. The mother sat in the house, and could not appear. And the bride was sobbing so, she could hardly stand! The most melancholy spectacle of all to my mind was, that the bridegroom was decidedly tipsy. He seemed rather affronted at all the distress.

We danced a Monferrino; I with the bridegroom; and the bride crying the whole time. The company did their utmost to enliven her by firing pistols, but without success, and at last they began a series of yells, which reminded me of a set of savages. But even this delicate method of consolation failed, and the wishing good-bye began. It was altogether so melancholy an affair that Madame B.

dropped a few tears, and I was very near it, particularly when the poor mother came out to see the last of her daughter, who was finally dragged off between her brother and uncle, with a last explosion of pistols. As she lives quite near, makes an excellent match, and is one of nine children, it really was a most desirable marriage, in spite of all the show of distress. Albert was so discomfited by it, that he forgot to kiss the bride as he had intended to do, and therefore went to call upon her yesterday, and found her very smiling in her new house, and supplied the omission.

The cook came home from the wedding, declaring she was cured of any wish to marry—but I would not recommend any man to act upon that threat and make her an offer. In a couple of days we had some rolls of the bride’s first baking, which they call Madonnas. The musicians, it seems, were in the same state as the bridegroom, for, in escorting her home, they all fell down in the mud. My wrath against the bridegroom is somewhat calmed by finding that it is considered bad luck if he does not get tipsy at his wedding.”

 

Those readers of Miss Procter’s poems who should suppose from their tone that her mind was of a gloomy or despondent cast, would be curiously mistaken. She was exceedingly humorous, and had a great delight in humour. Cheerfulness was habitual with her, she was very ready at a sally or a reply, and in her laugh (as I remember well) there was an unusual vivacity, enjoyment, and sense of drollery.

She was perfectly unconstrained and unaffected: as modestly silent about her productions, as she was generous with their pecuniary results. She was a friend who inspired the strongest attachments; she was a finely sympathetic woman, with a great accordant heart and a sterling noble nature. No claim can be set up for her, thank God, to the possession of any of the conventional poetical qualities.

She never by any means held the opinion that she was among the greatest of human beings; she never suspected the existence of a conspiracy on the part of mankind against her; she never recognised in her best friends, her worst enemies; she never cultivated the luxury of being misunderstood and unappreciated; she would far rather have died without seeing a line of her composition in print, than that I should have maundered about her, here, as “the Poet”, or “the Poetess”.

 

With the recollection of Miss Procter as a mere child and as a woman, fresh upon me, it is natural that I should linger on my way to the close of this brief record, avoiding its end. But, even as the close came upon her, so must it come here.

 

Always impelled by an intense conviction that her life must not be dreamed away, and that her indulgence in her favourite pursuits must be balanced by action in the real world around her, she was indefatigable in her endeavours to do some good. Naturally enthusiastic, and conscientiously impressed with a deep sense of her Christian duty to her neighbour, she devoted herself to a variety of benevolent objects. Now, it was the visitation of the sick, that had possession of her; now, it was the sheltering of the houseless; now, it was the elementary teaching of the densely ignorant; now, it was the raising up of those who had wandered and got trodden under foot; now, it was the wider employment of her own sex in the general business of life; now, it was all these things at once. Perfectly unselfish, swift to sympathise and eager to relieve, she wrought at such designs with a flushed earnestness that disregarded season, weather, time of day or night, food, rest. Under such a hurry of the spirits, and such incessant occupation, the strongest constitution will commonly go down. Hers, neither of the strongest nor the weakest, yielded to the burden, and began to sink.

 

To have saved her life, then, by taking action on the warning that shone in her eyes and sounded in her voice, would have been impossible, without changing her nature. As long as the power of moving about in the old way was left to her, she must exercise it, or be killed by the restraint. And so the time came when she could move about no longer, and took to her bed.

 

All the restlessness gone then, and all the sweet patience of her natural disposition purified by the resignation of her soul, she lay upon her bed through the whole round of changes of the seasons. She lay upon her bed through fifteen months. In all that time, her old cheerfulness never quitted her. In all that time, not an impatient or a querulous minute can be remembered.

 

At length, at midnight on the second of February, 1864, she turned down a leaf of a little book she was reading, and shut it up.

 

The ministering hand that had copied the verses into the tiny album was soon around her neck, and she quietly asked, as the clock was on the stroke of one:

 

“Do you think I am dying, mamma?”

 

“I think you are very, very ill to-night, my dear!”

 

“Send for my sister. My feet are so cold. Lift me up?”

 

Her sister entering as they raised her, she said: “It has come at last!” And with a bright and happy smile, looked upward, and departed.

 

Well had she written:

 

Why shouldst thou fear the beautiful angel, Death, Who waits thee at the portals of the skies, Ready to kiss away thy struggling breath, Ready with gentle hand to close thine eyes?

 

Oh what were life, if life were all? Thine eyes Are blinded by their tears, or thou wouldst see Thy treasures wait thee in the far-off skies, And Death, thy friend, will give them all to thee.

CHAUNCEY HARE TOWNSHEND

EXPLANATORY INTRODUCTION TO “RELIGIOUS

OPINIONS” BY THE LATE REVEREND

CHAUNCEY HARE TOWNSHEND

Mr. Chauncey Hare Townshend died in London, on the 25th of February 1868. His will contained the following passage:-

 

“I appoint my friend Charles Dickens, of Gad’s Hill Place, in the County of Kent, Esquire, my literary executor; and beg of him to publish without alteration as much of my notes and reflections as may make known my opinions on religious matters, they being such as I verily believe would be conducive to the happiness of mankind.”

 

In pursuance of the foregoing injunction, the Literary Executor so appointed (not previously aware that the publication of any Religious Opinions would be enjoined upon him), applied himself to the examination of the numerous papers left by his deceased friend.

Some of these were in Lausanne, and some were in London.

Considerable delay occurred before they could be got together, arising out of certain claims preferred, and formalities insisted on by the authorities of the Canton de Vaud. When at length the whole of his late friend’s papers passed into the Literary Executor’s hands, it was found that Religious Opinions were scattered up and down through a variety of memoranda and note-books, the gradual accumulation of years and years. Many of the following pages were carefully transcribed, numbered, connected, and prepared for the press; but many more were dispersed fragments, originally written in pencil, afterwards inked over, the intended sequence of which in the writer’s mind, it was extremely difficult to follow. These again were intermixed with journals of travel, fragments of poems, critical essays, voluminous correspondence, and old school-exercises and college themes, having no kind of connection with them.

 

To publish such materials “without alteration”, was simply impossible. But finding everywhere internal evidence that Mr.

Townshend’s Religious Opinions had been constantly meditated and reconsidered with great pains and sincerity throughout his life, the Literary Executor carefully compiled them (always in the writer’s exact words), and endeavoured in piecing them together to avoid needless repetition. He does not doubt that Mr. Townshend held the clue to a precise plan, which could have greatly simplified the presentation of these views; and he has devoted the first section of this volume to Mr. Townshend’s own notes of his comprehensive intentions. Proofs of the devout spirit in which they were conceived, and of the sense of responsibility with which he worked at them, abound through the whole mass of papers. Mr. Townshend’s varied attainments, delicate tastes, and amiable and gentle nature, caused him to be beloved through life by the variously distinguished men who were his compeers at Cambridge long ago. To his Literary Executor he was always a warmly-attached and sympathetic friend. To the public, he has been a most generous benefactor, both in his munificent bequest of his collection of precious stones in the South Kensington Museum, and in the devotion of the bulk of his property to the education of poor children.

 

ON MR. FECHTER’S ACTING

 

The distinguished artist whose name is prefixed to these remarks purposes to leave England for a professional tour in the United States. A few words from me, in reference to his merits as an actor, I hope may not be uninteresting to some readers, in advance of his publicly proving them before an American audience, and I know will not be unacceptable to my intimate friend. I state at once that Mr. Fechter holds that relation towards me; not only because it is the fact, but also because our friendship originated in my public appreciation of him. I had studied his acting closely, and had admired it highly, both in Paris and in London, years before we exchanged a word. Consequently my appreciation is not the result of personal regard, but personal regard has sprung out of my appreciation.

 

The first quality observable in Mr. Fechter’s acting is, that it is in the highest degree romantic. However elaborated in minute details, there is always a peculiar dash and vigour in it, like the fresh atmosphere of the story whereof it is a part. When he is on the stage, it seems to me as though the story were transpiring before me for the first and last time. Thus there is