Through the Magic Door by Arthur Conan Doyle (best novels to read .txt) 📕

in spite of his snowy head, was only 52; Dickens attained the age of 58; on the whole, Sir Walter, with his 61 years of life, although he never wrote a novel until he was over 40, had, fortunately for the world, a longer working career than most of his brethren.

 

He employed his creative faculty for about twenty years, which is as much, I suppose, as Shakespeare did. The bard of Avon is another example of the limited tenure which Genius has of life, though I believe that he outlived the greater part of his own family, who were not a healthy stock. He died, I should judge, of some nervous disease; that is shown by the progressive degeneration of his signature. Probably it was locomotor ataxy, which is the special scourge of the imaginative man. Heine, Daudet, and how many more, were its victims. As to the tradition, first mentioned long after his death, that he died of a fever contracted from a drinking bout, it is absurd on the face of it, since no such fever is known to science. But a very moderate drinking bout would be extremely likely to bring a chronic nervous complaint to a disastrous end.

 

One other remark upon Scott before I pass on from that line of green volumes which has made me so digressive and so garrulous. No account of his character is complete which does not deal with the strange, secretive vein which ran through his nature. Not only did he stretch the truth on many occasions in order to conceal the fact that he was the author of the famous novels, but even intimate friends who met him day by day were not aware that he was the man about whom the whole of Europe was talking. Even his wife was ignorant of his pecuniary liabilities until the crash of the Ballantyne firm told her for the first time that they were sharers in the ruin. A psychologist might trace this strange twist of his mind in the numerous elfish Fenella-like characters who flit about and keep their irritating secret through the long chapters of so many of his novels.

 

It’s a sad book, Lockhart’s “Life.” It leaves gloom in the mind.

The sight of this weary giant, staggering along, burdened with debt, overladen with work, his wife dead, his nerves broken, and nothing intact but his honour, is one of the most moving in the history of literature. But they pass, these clouds, and all that is left is the memory of the supremely noble man, who would not be bent, but faced Fate to the last, and died in his tracks without a whimper.

He sampled every human emotion. Great was his joy and great his success, great was his downfall and bitter his grief. But of all the sons of men I don’t think there are many greater than he who lies under the great slab at Dryburgh.

 

III.

 

We can pass the long green ranks of the Waverley Novels and Lockhart’s “Life” which flanks them. Here is heavier metal in the four big grey volumes beyond. They are an old-fashioned large-print edition of Boswell’s “Life of Johnson.” I emphasize the large print, for that is the weak point of most of the cheap editions of English Classics which come now into the market. With subjects which are in the least archaic or abstruse you need good clear type to help you on your way. The other is good neither for your eyes nor for your temper. Better pay a little more and have a book that is made for use.

 

That book interests me—fascinates me—and yet I wish I could join heartily in that chorus of praise which the kind-hearted old bully has enjoyed. It is difficult to follow his own advice and to “clear one’s mind of cant” upon the subject, for when you have been accustomed to look at him through the sympathetic glasses of Macaulay or of Boswell, it is hard to take them off, to rub one’s eyes, and to have a good honest stare on one’s own account at the man’s actual words, deeds, and limitations. If you try it you are left with the oddest mixture of impressions. How could one express it save that this is John Bull taken to literature—the exaggerated John Bull of the caricaturists—with every quality, good or evil, at its highest? Here are the rough crust over a kindly heart, the explosive temper, the arrogance, the insular narrowness, the want of sympathy and insight, the rudeness of perception, the positiveness, the overbearing bluster, the strong deep-seated religious principle, and every other characteristic of the cruder, rougher John Bull who was the great grandfather of the present good-natured Johnnie.

 

If Boswell had not lived I wonder how much we should hear now of his huge friend? With Scotch persistence he has succeeded in inoculating the whole world with his hero worship. It was most natural that he should himself admire him. The relations between the two men were delightful and reflect all credit upon each. But they are not a safe basis from which any third person could argue. When they met, Boswell was in his twenty-third and Johnson in his fifty-fourth year. The one was a keen young Scot with a mind which was reverent and impressionable. The other was a figure from a past generation with his fame already made. From the moment of meeting the one was bound to exercise an absolute ascendency over the other which made unbiassed criticism far more difficult than it would be between ordinary father and son. Up to the end this was the unbroken relation between them.

 

It is all very well to pooh-pooh Boswell as Macaulay has done, but it is not by chance that a man writes the best biography in the language. He had some great and rare literary qualities. One was a clear and vivid style, more flexible and Saxon than that of his great model. Another was a remarkable discretion which hardly once permitted a fault of taste in this whole enormous book where he must have had to pick his steps with pitfalls on every side of him. They say that he was a fool and a coxcomb in private life. He is never so with a pen in his hand. Of all his numerous arguments with Johnson, where he ventured some little squeak of remonstrance, before the roaring “No, sir!” came to silence him, there are few in which his views were not, as experience proved, the wiser. On the question of slavery he was in the wrong. But I could quote from memory at least a dozen cases, including such vital subjects as the American Revolution, the Hanoverian Dynasty, Religious Toleration, and so on, where Boswell’s views were those which survived.

 

But where he excels as a biographer is in telling you just those little things that you want to know. How often you read the life of a man and are left without the remotest idea of his personality. It is not so here. The man lives again. There is a short description of Johnson’s person—it is not in the Life, but in the Tour to the Hebrides, the very next book upon the shelf, which is typical of his vivid portraiture. May I take it down, and read you a paragraph of it?—

 

“His person was large, robust, I may say approaching to the gigantic, and grown unwieldy from corpulency. His countenance was naturally of the cast of an ancient statue, but somewhat disfigured by the scars of King’s evil. He was now in his sixty-fourth year and was become a little dull of hearing. His sight had always been somewhat weak, yet so much does mind govern and even supply the deficiencies of organs that his perceptions were uncommonly quick and accurate. His head, and sometimes also his body, shook with a kind of motion like the effect of palsy. He appeared to be frequently disturbed by cramps or convulsive contractions of the nature of that distemper called St. Vitus’ dance. He wore a full suit of plain brown clothes, with twisted hair buttons of the same colour, a large bushy greyish wig, a plain shirt, black worsted stockings and silver buckles. Upon this tour when journeying he wore boots and a very wide brown cloth great-coat with pockets which might almost have held the two volumes of his folio dictionary, and he carried in his hand a large English oak stick.”

 

You must admit that if one cannot reconstruct the great Samuel after that it is not Mr. Boswell’s fault—and it is but one of a dozen equally vivid glimpses which he gives us of his hero. It is just these pen-pictures of his of the big, uncouth man, with his grunts and his groans, his Gargantuan appetite, his twenty cups of tea, and his tricks with the orange-peel and the lamp-posts, which fascinate the reader, and have given Johnson a far broader literary vogue than his writings could have done.

 

For, after all, which of those writings can be said to have any life to-day? Not “Rasselas,” surely—that stilted romance. “The Lives of the Poets” are but a succession of prefaces, and the “Ramblers” of ephemeral essays. There is the monstrous drudgery of the Dictionary, a huge piece of spadework, a monument to industry, but inconceivable to genius. “London” has a few vigorous lines, and the “Journey to the Hebrides” some spirited pages. This, with a number of political and other pamphlets, was the main output of his lifetime. Surely it must be admitted that it is not enough to justify his predominant place in English literature, and that we must turn to his humble, much-ridiculed biographer for the real explanation.

 

And then there was his talk. What was it which gave it such distinction? His clear-cut positiveness upon every subject. But this is a sign of a narrow finality—impossible to the man of sympathy and of imagination, who sees the other side of every question and understands what a little island the greatest human knowledge must be in the ocean of infinite possibilities which surround us. Look at the results. Did ever any single man, the very dullest of the race, stand convicted of so many incredible blunders? It recalls the remark of Bagehot, that if at any time the views of the most learned could be stamped upon the whole human race the result would be to propagate the most absurd errors. He was asked what became of swallows in the winter. Rolling and wheezing, the oracle answered: “Swallows,” said he, “certainly sleep all the winter. A number of them conglobulate together by flying round and round, and then all in a heap throw themselves under water and lie in the bed of a river.” Boswell gravely dockets the information. However, if I remember right, even so sound a naturalist as White of Selborne had his doubts about the swallows. More wonderful are Johnson’s misjudgments of his fellow-authors. There, if anywhere, one would have expected to find a sense of proportion. Yet his conclusions would seem monstrous to a modern taste. “Shakespeare,” he said, “never wrote six consecutive good lines.” He would only admit two good verses in Gray’s exquisite “Elegy written in a Country Churchyard,” where it would take a very acid critic to find two bad ones. “Tristram Shandy” would not live. “Hamlet” was gabble. Swift’s “Gulliver’s Travels” was poor stuff, and he never wrote anything good except “A Tale of a Tub.” Voltaire was illiterate. Rousseau was a scoundrel. Deists, like Hume, Priestley, or Gibbon, could not be honest men.

 

And his political opinions! They sound now like a caricature. I suppose even in those days they were reactionary. “A poor man has no honour.” “Charles the Second was a good King.” “Governments