All the Way to Fairyland by Evelyn Sharp (reading like a writer TXT) 📕

There was once a Poet whom nobody wanted. Wherever he went, he was always in the way; and the reason for this was his inability to do anything useful. All the people in all the countries through which he passed seemed to be occupied in making something,—either war, or noise, or money, or confusion; but the Poet could make nothing except love, and that, of course, was of no use at all. Even the women, who might otherwise have welcomed him, could not endure the ugliness of his features; and, indeed, it would have been difficult to find a face with less beauty in it, for he looked as if all the cares and the annoyances of the world had been imprinted on his countenance and left it seared with lines. So the poor, ugly Poet went from place to place, singing poems to which nobody listened, and offering sympathy to people who could not even understand his language.

One day he came to a city he had never visited before; and, as he always did, he went straight to the part where the poorer people lived, for it was all about them that he wrote the poetry to which nobody listened. But, as usual, the poor people were so full of their troubles that they could not even understand him.

"What is the use of telling us we are unhappy?" they grumbled. "We know that already, and it does not interest us a bit. Can you not do something for us?"

The Poet only shook his head.

"If I did," he replied, "I should probably do it very badly. The world is full of people who are always doing things; the only mistake they make is in generally doing them wrong. But I am here to persuade them to do the right things for a change, so that you may have your chance of happiness as well as they."

"Oh, we shall never be happy," the people said. "If that is all you have to say, you had better leave us to our unhappiness and go up to the King's palace. For the little Princess has been blind from her birth, and her great delight is to listen to poetry, so the palace is full of poets. But none of them ever come down here, so we do not know what they are like."

The Poet was overjoyed at hearing that at last he was in a country where he was wanted; and he set off for the palace immediately.

"Who are you, and what do you want?" demanded the royal sentinels, when he presented himself at the palace gates.

"I am a Poet," he replied. "And I have come to see the Princess, because she is fond of poets."

"We have never seen a poet like you," said the sentinels, doubtfully. "All the poets in the palace have smooth, smiling faces, and fine clothes, and white hands. Her Royal Highness is not accustomed to receiving any one so untidy as yourself."

The Poet looked down at his weather-beaten clothes and his toil-worn hands; and he stared at the reflection of his wrinkled, furrowed face in the moat that surrounded the palace; and he sighed in a disappointed manner.

"I am a Poet," he repeated. "How can a man be a poet if his face is smooth and his hands are white? No man can be a poet if he has not toiled and suffered and wandered over the earth, for the sake of the people who are in it."

Just then he heard a woman's voice speaking from the other side of the gates; and looking through them, he saw a beautiful, pale Princess, standing there all by herself, with a look of interest on her face.

"It is the little blind Princess," thought the Poet, and he bowed straight to the ground though he knew quite well that she could not see him. The sentinels saluted, too, for they were so accustomed to saluting people who never saw them at all that the blindness of the little Princess made no difference to them.

"Tell me," said the Princess, eagerly, "the name of the man with the wonderful voice, who is saying all those beautiful, true things."

"Please your Highness," said the sentinels, "he says he is a Poet."

"Ah," cried the little Princess, joyfully, "at last you have come; I have been waiting for you all my life! At last I have found a real Poet, and the Queen-mother will see now that all those people in there, who say the same things over and over again in their small, thin voices, are not poets at all. Come in, Poet; why do you stay so long outside?"

So the drawbridge was let down, and the sentinels saw what a mistake they had made and did their best to pretend that they had not made it at all; and for the first time in his life the Poet felt that he was not in anybody's way.

"Come with me, Poet," said the little Princess, holding out her small white hand to him. "If you will take my hand, I shall feel quite sure you are there."

So the little blind Princess and the Poet went into the palace, hand in hand.

"I have found a Poet," she announced to the whole court, just as it was sitting down to luncheon.

"What! Another?" groaned the King from the top of the table. "I should have thought five-and-forty were quite enough, considering the demand."

"This is a real Poet," continued the little Princess, still holding the Poet's hand. "I knew him by his wonderful voice. I am so glad he has come; and now, we can send away all the others, who are not poets at all."

Now, this was a little awkward, for the five-and-forty poets were all present; and being mostly the younger sons of kings, who had only taken up poetry as an accomplishment, they were also suitors for the Princess's hand, which made it more awkward still. So the Queen coughed uncomfortably, and all the ladies in waiting blushed uncomfortably, and the five-and-forty poets naturally looked uncomfortable into the bargain. But the little Princess, who could see nothing and never had been able to see anything, neither blushed nor felt uncomfortable.

"Will some one give place to the Poet?" she asked with a smile.

The Queen, who was generally full of resources, felt that it was time to interfere.

"Do not listen to Her Royal Highness," she said, soothingly, to the five-and-forty poets. "She is so terribly truthful that she does not know what she is saying. I have tried in vain to break her of it."

"Don't know where she gets it from," growled the old King, who had a great dislike to scenes at meal times.

The five-and-forty poets recovered their composure, when they heard that the Princess was rather to be pitied than blamed; and the Queen was able to turn to