The House of the Whispering Pines by Anna Katharine Green (best novels for beginners txt) 📕
- Author: Anna Katharine Green
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"And on what does he look? You have already heard, but consider it. Adelaide, despairing of happiness, decides on death for herself or sister. Both loving one man, one of the two must give way to the other. Carmel has done her part; she must now do hers. She has brought poison; she has brought glasses—three glasses, for three persons, but only two are on the scene, and so she fills but two. One has only cordial in it, but the other is, as she believes, deadly. Carmel is to have her choice; but who believes that Adelaide would ever have let her drink the poisoned glass?
"And this man looks on, as the two faces confront each other—one white with the overthrow of every earthly hope, the other under the stress of suffering and a fascination of horror sufficient to have laid her dead, without poison, at the other one's feet. This is what he sees—a brother!—and he makes no move, then or afterwards, when, the die cast, Adelaide succumbs to her fear and falls into a seemingly dying state on the couch.
"Does he go now? Is his hate or his cupidity satisfied? No! He remains and listens to the tender interchange of final words, and all the late precautions of the elder to guard the younger woman's good name. Still he is not softened; and when, the critical moment passed, Carmel rises and totters about the room in her endeavour to fulfil the tasks enjoined upon her by her sister, he gloats over a death which will give him independence and gluts himself with every evil thought which could blind him to the pitiful aspects of a tragedy such as few men in this world could see unmoved. A brother!
"But this is not the worst. The awful cup of human greed and hatred is but filled to the brim; it has not yet overflowed. Carmel leaves the room; she has a telephonic message to deliver. She may be gone a minute; she may be gone many. Little does he care which; he must see the dead, look down on the woman who has been like a mother to him, and see if her influence is forever removed, if his wealth is his, and his independence forever assured.
"Safe in the darkness of the gloomy recesses of the dancing hall, he steals slowly forward. Drawn as by a magnet, he enters the room of seeming death, draws up to the pillow-laden couch, pulls off first one cushion, and then another, till face and hands are bare and—
"Ah!—there is a movement! death has not, then, done its work. She lives—the hated one—lives! And he is no longer rich, no longer independent. With a clutch, he seizes her at the feeble seat of life; and as the breath ceases and her whole body becomes again inert, he stoops to pull off the ring, which can have no especial value or meaning for him—and then, repiling the cushions over her, creeps forth again, takes up the bottles, and disappears from the house.
"Gentlemen of the jury, this is what my opponent would have you believe. This will be his explanation of this extraordinary murder. But when his eloquence meets your ears—when you hear this arraignment, and the emphasis he will place upon the few points remaining to his broken case, then ask yourself if you see such a monster in the prisoner now confronting you from the bar. I do not believe it. I do not believe that such a monster lives.
"But you say, some one entered that room—some one stilled the fluttering life still remaining in that feeble breast. Some one may have, but that some one was not my client, and it is his guilt or innocence we are considering now, and it is his life and freedom for which you are responsible. No brother did that deed; no witness of the scene which hallowed this tragedy ever lifted hand against the fainting Adelaide, or choked back a life which kindly fate had spared.
"Go further for the guilty perpetrator of this most inhuman act; he stands not in the dock. Guilt shows no such relief as you see in him to-day. Guilt would remember that his sister's testimony, under the cross-examination of the people's prosecutor, left the charge of murder still hanging over the defendant's head. But the brother has forgotten this. His restored confidence in one who now represents to him father, mother, and sister has thrown his own fate into the background. Will you dim that joy—sustain this charge of murder?
"If in your sense of justice you do so, you forever place this degenerate son of a noble father, on the list of the most unimaginative and hate-driven criminals of all time. Is he such a demon? Is he such a madman? Look in his face to-day, and decide. I am willing to leave his cause in your hands. It could be placed in no better.
"May it please your Honour, and gentlemen of the jury, I am done."
If any one at that moment felt the arrow of death descending into his heart, it was not Arthur Cumberland.
XXXIV "STEADY!"I am a tainted wether of the flock,
Meetest for death; the weakest kind of fruit
Drops earliest to the ground, and so let me.
You cannot better be employ'd, Bassanio,
Than to live still, and write my epitaph.
Merchant of Venice.
Why linger over the result. Arthur Cumberland's case was won before Mr. Fox arose to his feet. The usual routine was gone through. The district attorney made the most of the three facts which he declared inconsistent with the prisoner's innocence, just as Mr. Moffat said he would; but the life was gone from his work, and the result was necessarily unsatisfactory.
The judge's charge was short, but studiously impartial. When the jury filed out, I said to myself, "They will return in fifteen minutes." They returned in ten, with a verdict of acquittal.
The demonstrations of joy which followed filled my ears, and doubtless left their impression upon my other senses; but my mind took in nothing but the apparition of my own form taking his place at the bar, under circumstances less favourable to acquittal than those which had exonerated him. It was a picture which set my brain whirling. A phantom judge, a phantom jury, a phantom circle of faces, lacking the consideration and confidence of those I saw before me; but not a phantom prisoner, or any mere dream of outrageous shame and suffering.
That shame and that suffering had already seized hold of me. With the relief of young Arthur's acquittal my faculties had cleared to the desperate position in which this very acquittal had placed me.
I saw, as never before, how the testimony which had reinstated Carmel in my heart and won for her and through her the sympathies of the whole people, had overthrown every specious reason which I and those interested in me had been able to advance in contradiction of the natural conclusion to be drawn from the damning fact of my having been seen with my fingers on Adelaide's throat.
Mr. Moffat's words rang in my ears: "Some one entered that room; some one stilled the fluttering life still remaining in that feeble breast; but that some one was not her brother. You must look further for the guilty perpetrator of this most inhuman act; some one who had not been a witness to the scene preceding this tragedy, some one—" he had not said this but every mind had supplied the omission,—"some one who had come in later, who came in after Carmel had gone, some one who knew nothing of the telephone message which was even then hastening the police to the spot; some one who had every reason for lifting those cushions and, on meeting life—"
The horror stifled me; I was reeling in my place on the edge of the crowd, when I heard a quiet voice in my ear:
"Steady! Their eyes will soon be off of Arthur, and then they will look at you."
It was Clifton, and his word came none too soon. I stiffened under its quiet force, and, taking his arm, let him lead me out of a side door, where the crowd was smaller and its attention even more absorbed.
I soon saw its cause—Carmel was entering the doorway from the street. She had come to greet her brother; and her face, quite unveiled, was beaming with beauty and joy. In an instant I forgot myself, forgot everything but her and the effect she produced upon those about her. No noisy demonstration here; admiration and love were shown in looks and the low-breathed prayer for her welfare which escaped from more than one pair of lips. She smiled and their hearts were hers; she essayed to move forward and the people crowded back as if at a queen's passage; but there was no noise.
When she reappeared, it was on Arthur's arm. I had not been able to move from the place in which we were hemmed; nor had I wished to. I was hungry for a glance of her eye. Would it turn my way, and, if it did, would it leave a curse or a blessing behind it? In anxiety for the blessing, I was willing to risk the curse; and I followed her every step with hungry glances, until she reached the doorway and turned to give another shake of the hand to Mr. Moffat, who had followed them. But she did not see me.
"I cannot miss it! I must catch her eye!" I whispered to Clifton. "Get me out of this; it will be several minutes before they can reach the sleigh. Let me see her, for one instant, face to face."
Clifton disapproved, and made me aware of it; but he did my bidding, nevertheless. In a few moments we were on the sidewalk, and quite by ourselves; so that, if she turned again she could not fail to observe me. I had small hope, however, that she would so turn. She and Arthur were within a few feet of the curb and their own sleigh.
I had just time to see this sleigh, and note the rejoicing face of Zadok leaning sideways from the box, when I beheld her pause and slowly turn her head around and peer eagerly—and with what divine anxiety in her eyes—back over the heads of those thronging about her, until her gaze rested fully and sweetly on mine. My heart leaped, then sank down, down into unutterable depths; for in that instant her face changed, horror seized upon her beauty, and shook her frantic hold on Arthur's arm.
I heard words uttered very near me, but I did not catch them. I did feel, however, the hand which was laid strongly and with authority upon my shoulder; and, tearing my eyes from her face only long enough to perceive that it was Sweetwater who had thus arrested me, I looked back at her, in time to see the questions leap from her lips to Arthur, whose answers I could well understand from the pitying movement in the crowd and the low hum of restrained voices which ran between her sinking figure and the spot where I stood apart, with the detective's hand on my shoulder.
She had never been told of the incriminating position in which I had been seen in the club-house. It had been carefully kept from her, and she had supposed that my acquittal in the public mind was as certain as Arthur's. Now she saw herself undeceived, and the reaction into doubt and misery was too much for her, and I saw her sinking under my eyes.
"Let me go to her!" I shrieked, utterly unconcerned with anything in the world but this tottering, fainting girl.
But Sweetwater's hand only tightened on my shoulder, while Arthur, with an awful look at me, caught his sister in his arms, just as she fell to the ground before the swaying multitude.
But he was not the only one to kneel there. With a sound of love and misery impossible to describe, Zadok had leaped from the box and had grovelled at those dear feet, kissing the insensible hands and praying for those shut eyes to open. Even after Arthur had lifted her into
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