Man and Wife by Wilkie Collins (easy novels to read txt) 📕

all I can,” said Julius, raising her. “Let us talk of it when you are more composed. Try a little music,” he repeated, “just to quiet your nerves.”

“Would you like me to play?” asked Mrs. Glenarm, becoming a model of feminine docility at a moment’s notice.

Julius opened the Sonatas of Mozart, and shouldered his violin.

“Let’s try the Fifteenth,” he said, placing Mrs. Glenarm at the piano. “We will begin with the Adagio. If ever there was divine music written by mortal man, there it is!”

They began. At the third bar Mrs. Glenarm dropped a note—and the bow of Julius paused shuddering on the strings.

“I can’t play!” she said. “I am so agitated; I am so anxious. How am I to find out whether that wretch is really married or not? Who can I ask? I can’t go to Geoffrey in London—the trainers won’t let me see him. I can’t appeal to Mr. Brinkworth himself—I am not even acquainted with him. Who else is there? Do think, and tell me!”

There was but one chance of making her return to the Adagio—the chance of hitting on a suggestion which would satisfy and quiet her. Julius laid his violin on the piano, and considered the question before him carefully.

“There are the witnesses,” he said. “If Geoffrey’s story is to be depended on, the landlady and the waiter at the inn can speak to the facts.”

“Low people!” objected Mrs. Glenarm. “People I don’t know. People who might take advantage of my situation, and be insolent to me.”

Julius considered once more; and made another suggestion. With the fatal ingenuity of innocence, he hit on the idea of referring Mrs. Glenarm to no less a person than Lady Lundie herself!

“There is our good friend at Windygates,” he said. “Some whisper of the matter may have reached Lady Lundie’s ears. It may be a little awkward to call on her (if she has heard any thing) at the time of a serious family disaster. You are the best judge of that, however. All I can do is to throw out the notion. Windygates isn’t very far off—and something might come of it. What do you think?”

Something might come of it! Let it be remembered that Lady Lundie had been left entirely in the dark—that she had written to Sir Patrick in a tone which plainly showed that her self-esteem was wounded and her suspicion roused—and that her first intimation of the serious dilemma in which Arnold Brinkworth stood was now likely, thanks to Julius Delamayn, to reach her from the lips of a mere acquaintance. Let this be remembered; and then let the estimate be formed of what might come of it—not at Windygates only, but also at Ham Farm!

“What do you think?” asked Julius.

Mrs. Glenarm was enchanted. “The very person to go to!” she said. “If I am not let in I can easily write—and explain my object as an apology. Lady Lundie is so right-minded, so sympathetic. If she sees no one else—I have only to confide my anxieties to her, and I am sure she will see me. You will lend me a carriage, won’t you? I’ll go to Windygates to-morrow.”

Julius took his violin off the pi ano.

“Don’t think me very troublesome,” he said coaxingly. “Between this and to-morrow we have nothing to do. And it is such music, if you once get into the swing of it! Would you mind trying again?”

Mrs. Glenarm was willing to do any thing to prove her gratitude, after the invaluable hint which she had just received. At the second trial the fair pianist’s eye and hand were in perfect harmony. The lovely melody which the Adagio of Mozart’s Fifteenth Sonata has given to violin and piano flowed smoothly at last—and Julius Delamayn soared to the seventh heaven of musical delight.

The next day Mrs. Glenarm and Mrs. Delamayn went together to Windygates House.

TENTH SCENE—THE BEDROOM.

CHAPTER THE FORTY-FIRST.

LADY LUNDIE DOES HER DUTY.

THE scene opens on a bedroom—and discloses, in broad daylight, a lady in bed.

Persons with an irritable sense of propriety, whose self-appointed duty it is to be always crying out, are warned to pause before they cry out on this occasion. The lady now presented to view being no less a person than Lady Lundie herself, it follows, as a matter of course, that the utmost demands of propriety are, by the mere assertion of that fact, abundantly and indisputably satisfied. To say that any thing short of direct moral advantage could, by any possibility, accrue to any living creature by the presentation of her ladyship in a horizontal, instead of a perpendicular position, is to assert that Virtue is a question of posture, and that Respectability ceases to assert itself when it ceases to appear in morning or evening dress. Will any body be bold enough to say that? Let nobody cry out, then, on the present occasion.

Lady Lundie was in bed.

Her ladyship had received Blanche’s written announcement of the sudden stoppage of the bridal tour; and had penned the answer to Sir Patrick—the receipt of which at Ham Farm has been already described. This done, Lady Lundie felt it due to herself to take a becoming position in her own house, pending the possible arrival of Sir Patrick’s reply. What does a right-minded woman do, when she has reason to believe that she is cruelly distrusted by the members of her own family? A right-minded woman feels it so acutely that she falls ill. Lady Lundie fell ill accordingly.

The case being a serious one, a medical practitioner of the highest grade in the profession was required to treat it. A physician from the neighboring town of Kirkandrew was called in.

The physician came in a carriage and pair, with the necessary bald head, and the indispensable white cravat. He felt her ladyship’s pulse, and put a few gentle questions. He turned his back solemnly, as only a great doctor can, on his own positive internal conviction that his patient had nothing whatever the matter with her. He said, with every appearance of believing in himself, “Nerves, Lady Lundie. Repose in bed is essentially necessary. I will write a prescription.” He prescribed, with perfect gravity: Aromatic Spirits of Ammonia—16 drops. Spirits of Red Lavender—10 drops. Syrup of Orange Peel—2 drams. Camphor Julep—1 ounce. When he had written, Misce fiat Hanstus (instead of Mix a Draught)—when he had added, Ter die Sumendus (instead of To be taken Three times a day)—and when he had certified to his own Latin, by putting his initials at the end, he had only to make his bow; to slip two guineas into his pocket; and to go his way, with an approving professional conscience, in the character of a physician who had done his duty.

Lady Lundie was in bed. The visible part of her ladyship was perfectly attired, with a view to the occasion. A fillet of superb white lace encircled her head. She wore an adorable invalid jacket of white cambric, trimmed with lace and pink ribbons. The rest was—bed-clothes. On a table at her side stood the Red Lavender Draught—in color soothing to the eye; in flavor not unpleasant to the taste. A book of devotional character was near it. The domestic ledgers, and the kitchen report for the day, were ranged modestly behind the devout book. (Not even her ladyship’s nerves, observe, were permitted to interfere with her ladyship’s duty.) A fan, a smelling-bottle, and a handkerchief lay within reach on the counterpane. The spacious room was partially darkened. One of the lower windows was open, affording her ladyship the necessary cubic supply of air. The late Sir Thomas looked at his widow, in effigy, from the wall opposite the end of the bed. Not a chair was out of its place; not a vestige of wearing apparel dared to show itself outside the sacred limits of the wardrobe and the drawers. The sparkling treasures of the toilet-table glittered in the dim distance, The jugs and basins were of a rare and creamy white; spotless and beautiful to see. Look where you might, you saw a perfect room. Then look at the bed—and you saw a perfect woman, and completed the picture.

It was the day after Anne’s appearance at Swanhaven—toward the end of the afternoon.

Lady Lundie’s own maid opened the door noiselessly, and stole on tip-toe to the bedside. Her ladyship’s eyes were closed. Her ladyship suddenly opened them.

“Not asleep, Hopkins. Suffering. What is it?”

Hopkins laid two cards on the counterpane. “Mrs. Delamayn, my lady—and Mrs. Glenarm.”

“They were told I was ill, of course?”

“Yes, my lady. Mrs. Glenarm sent for me. She went into the library, and wrote this note.” Hopkins produced the note, neatly folded in three-cornered form.

“Have they gone?”

“No, my lady. Mrs. Glenarm told me Yes or No would do for answer, if you could only have the goodness to read this.”

“Thoughtless of Mrs. Glenarm—at a time when the doctor insists on perfect repose,” said Lady Lundie. “It doesn’t matter. One sacrifice more or less is of very little consequence.”

She fortified herself by an application of the smelling-bottle, and opened the note. It ran thus:

“So grieved, dear Lady Lundie, to hear that you are a prisoner in your room! I had taken the opportunity of calling with Mrs. Delamayn, in the hope that I might be able to ask you a question. Will your inexhaustible kindness forgive me if I ask it in writing? Have you had any unexpected news of Mr. Arnold Brinkworth lately? I mean, have you heard any thing about him, which has taken you very much by surprise? I have a serious reason for asking this. I will tell you what it is, the moment you are able to see me. Until then, one word of answer is all I expect. Send word down—Yes, or No. A thousand apologies—and pray get better soon!”

The singular question contained in this note suggested one of two inferences to Lady Lundie’s mind. Either Mrs. Glenarm had heard a report of the unexpected return of the married couple to England—or she was in the far more interesting and important position of possessing a clew to the secret of what was going on under the surface at Ham Farm. The phrase used in the note, “I have a serious reason for asking this,” appeared to favor the latter of the two interpretations. Impossible as it seemed to be that Mrs. Glenarm could know something about Arnold of which Lady Lundie was in absolute ignorance, her ladyship’s curiosity (already powerfully excited by Blanche’s mysterious letter) was only to be quieted by obtaining the necessary explanation forthwith, at a personal interview.

“Hopkins,” she said, “I must see Mrs. Glenarm.”

Hopkins respectfully held up her hands in horror. Company in the bedroom in the present state of her ladyship’s health!

“A matter of duty is involved in this, Hopkins. Give me the glass.”

Hopkins produced an elegant little hand-mirror. Lady Lundie carefully surveyed herself in it down to the margin of the bedclothes. Above criticism in every respect? Yes—even when the critic was a woman.

“Show Mrs. Glenarm up here.”

In a minute or two more the iron-master’s widow fluttered into the room—a little over-dressed as usual; and a little profuse in expressions of gratitude for her ladyship’s kindness, and of anxiety about her ladyship’s health. Lady Lundie endured it as long as she could—then stopped it with a gesture of polite remonstrance, and came to the point.

“Now, my dear—about this question in your note? Is it possible you have heard already that Arnold Brinkworth and his wife have come back from Baden?” Mrs. Glenarm opened her eyes in astonishment. Lady