The French Revolution by Thomas Carlyle (story books for 5 year olds txt) 📕
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Garat Minister of Justice has to go to the Temple, with this stern message: he ejaculates repeatedly, “Quelle commission affreuse, What a frightful function!” (Biographie des Ministres, p. 157.) Louis begs for a Confessor; for yet three days of life, to prepare himself to die. The Confessor is granted; the three days and all respite are refused.
There is no deliverance, then? Thick stone walls answer, None—Has King Louis no friends? Men of action, of courage grown desperate, in this his extreme need? King Louis’s friends are feeble and far. Not even a voice in the coffeehouses rises for him. At Meot the Restaurateur’s no Captain Dampmartin now dines; or sees death-doing whiskerandoes on furlough exhibit daggers of improved structure! Meot’s gallant Royalists on furlough are far across the Marches; they are wandering distracted over the world: or their bones lie whitening Argonne Wood. Only some weak Priests ‘leave Pamphlets on all the bournestones,’ this night, calling for a rescue; calling for the pious women to rise; or are taken distributing Pamphlets, and sent to prison. (See Prudhomme’s Newspaper, Revolutions de Paris (in Hist. Parl. xxiii. 318).)
Nay there is one death-doer, of the ancient Meot sort, who, with effort, has done even less and worse: slain a Deputy, and set all the Patriotism of Paris on edge! It was five on Saturday evening when Lepelletier St.
Fargeau, having given his vote, No Delay, ran over to Fevrier’s in the Palais Royal to snatch a morsel of dinner. He had dined, and was paying.
A thickset man ‘with black hair and blue beard,’ in a loose kind of frock, stept up to him; it was, as Fevrier and the bystanders bethought them, one Paris of the old King’s-Guard. “Are you Lepelletier?” asks he.—“Yes.”—
“You voted in the King’s Business?”—“I voted Death.”—“Scelerat, take that!” cries Paris, flashing out a sabre from under his frock, and plunging it deep in Lepelletier’s side. Fevrier clutches him; but he breaks off; is gone.
The voter Lepelletier lies dead; he has expired in great pain, at one in the morning;—two hours before that Vote of no Delay was fully summed up!
Guardsman Paris is flying over France; cannot be taken; will be found some months after, self-shot in a remote inn. (Hist. Parl. xxiii. 275, 318; Felix Lepelletier, Vie de Michel Lepelletier son Frere, p. 61. &c. Felix, with due love of the miraculous, will have it that the Suicide in the inn was not Paris, but some double-ganger of his.)—Robespierre sees reason to think that Prince d’Artois himself is privately in Town; that the Convention will be butchered in the lump. Patriotism sounds mere wail and vengeance: Santerre doubles and trebles all his patrols. Pity is lost in rage and fear; the Convention has refused the three days of life and all respite.
Chapter 3.2.VIII.
Place de la Revolution.
To this conclusion, then, hast thou come, O hapless, Louis! The Son of Sixty Kings is to die on the Scaffold by form of law. Under Sixty Kings this same form of Law, form of Society, has been fashioning itself together, these thousand years; and has become, one way and other, a most strange Machine. Surely, if needful, it is also frightful this Machine; dead, blind; not what it should be; which, with swift stroke, or by cold slow torture, has wasted the lives and souls of innumerable men. And behold now a King himself, or say rather Kinghood in his person, is to expire here in cruel tortures;—like a Phalaris shut in the belly of his own red-heated Brazen Bull! It is ever so; and thou shouldst know it, O
haughty tyrannous man: injustice breeds injustice; curses and falsehoods do verily ‘return always home,’ wide as they may wander. Innocent Louis bears the sins of many generations: he too experiences that man’s tribunal is not in this Earth; that if he had no Higher one, it were not well with him.
A King dying by such violence appeals impressively to the imagination; as the like must do, and ought to do. And yet at bottom it is not the King dying, but the Man! Kingship is a coat; the grand loss is of the skin.
The man from whom you take his Life, to him can the whole combined world do more? Lally went on his hurdle, his mouth filled with a gag. Miserablest mortals, doomed for picking pockets, have a whole five-act Tragedy in them, in that dumb pain, as they go to the gallows, unregarded; they consume the cup of trembling down to the lees. For Kings and for Beggars, for the justly doomed and the unjustly, it is a hard thing to die. Pity them all: thy utmost pity with all aids and appliances and throne-and-scaffold contrasts, how far short is it of the thing pitied!
A Confessor has come; Abbe Edgeworth, of Irish extraction, whom the King knew by good report, has come promptly on this solemn mission. Leave the Earth alone, then, thou hapless King; it with its malice will go its way, thou also canst go thine. A hard scene yet remains: the parting with our loved ones. Kind hearts, environed in the same grim peril with us; to be left here! Let the Reader look with the eyes of Valet Clery, through these glass-doors, where also the Municipality watches; and see the cruellest of scenes:
‘At half-past eight, the door of the ante-room opened: the Queen appeared first, leading her Son by the hand; then Madame Royale and Madame Elizabeth: they all flung themselves into the arms of the King. Silence reigned for some minutes; interrupted only by sobs. The Queen made a movement to lead his Majesty towards the inner room, where M. Edgeworth was waiting unknown to them: “No,” said the King, “let us go into the dining-
room, it is there only that I can see you.” They entered there; I shut the door of it, which was of glass. The King sat down, the Queen on his left hand, Madame Elizabeth on his right, Madame Royale almost in front; the young Prince remained standing between his Father’s legs. They all leaned towards him, and often held him embraced. This scene of woe lasted an hour and three-quarters; during which we could hear nothing; we could see only that always when the King spoke, the sobbings of the Princesses redoubled, continued for some minutes; and that then the King began again to speak.’
(Clery’s Narrative (London, 1798), cited in Weber, iii. 312.)—And so our meetings and our partings do now end! The sorrows we gave each other; the poor joys we faithfully shared, and all our lovings and our sufferings, and confused toilings under the earthly Sun, are over. Thou good soul, I shall never, never through all ages of Time, see thee any more O
Reader, knowest thou that hard word?
For nearly two hours this agony lasts; then they tear themselves asunder.
“Promise that you will see us on the morrow.” He promises:—Ah yes, yes; yet once; and go now, ye loved ones; cry to God for yourselves and me!—It was a hard scene, but it is over. He will not see them on the morrow. The Queen in passing through the ante-room glanced at the Cerberus Municipals; and with woman’s vehemence, said through her tears, “Vous etes tous des scelerats.”
King Louis slept sound, till five in the morning, when Clery, as he had been ordered, awoke him. Clery dressed his hair. While this went forward, Louis took a ring from his watch, and kept trying it on his finger; it was his wedding-ring, which he is now to return to the Queen as a mute farewell. At half-past six, he took the Sacrament; and continued in devotion, and conference with Abbe Edgeworth. He will not see his Family: it were too hard to bear.
At eight, the Municipals enter: the King gives them his Will and messages and effects; which they, at first, brutally refuse to take charge of: he gives them a roll of gold pieces, a hundred and twenty-five louis; these are to be returned to Malesherbes, who had lent them. At nine, Santerre says the hour is come. The King begs yet to retire for three minutes. At the end of three minutes, Santerre again says the hour is come. ‘Stamping on the ground with his right foot, Louis answers: “Partons, let us go.”’—
How the rolling of those drums comes in, through the Temple bastions and bulwarks, on the heart of a queenly wife; soon to be a widow! He is gone, then, and has not seen us? A Queen weeps bitterly; a King’s Sister and Children. Over all these Four does Death also hover: all shall perish miserably save one; she, as Duchesse d’Angouleme, will live,—not happily.
At the Temple Gate were some faint cries, perhaps from voices of pitiful women: “Grace! Grace!” Through the rest of the streets there is silence as of the grave. No man not armed is allowed to be there: the armed, did any even pity, dare not express it, each man overawed by all his neighbours. All windows are down, none seen looking through them. All shops are shut. No wheel-carriage rolls this morning, in these streets but one only. Eighty thousand armed men stand ranked, like armed statues of men; cannons bristle, cannoneers with match burning, but no word or movement: it is as a city enchanted into silence and stone; one carriage with its escort, slowly rumbling, is the only sound. Louis reads, in his Book of Devotion, the Prayers of the Dying: clatter of this death-march falls sharp on the ear, in the great silence; but the thought would fain struggle heavenward, and forget the Earth.
As the clocks strike ten, behold the Place de la Revolution, once Place de Louis Quinze: the Guillotine, mounted near the old Pedestal where once stood the Statue of that Louis! Far round, all bristles with cannons and armed men: spectators crowding in the rear; d’Orleans Egalite there in cabriolet. Swift messengers, hoquetons, speed to the Townhall, every three minutes: near by is the Convention sitting,—vengeful for Lepelletier.
Heedless of all, Louis reads his Prayers of the Dying; not till five minutes yet has he finished; then the Carriage opens. What temper he is in? Ten different witnesses will give ten different accounts of it. He is in the collision of all tempers; arrived now at the black Mahlstrom and descent of Death: in sorrow, in indignation, in resignation struggling to be resigned. “Take care of M. Edgeworth,” he straitly charges the Lieutenant who is sitting with them: then they two descend.
The drums are beating: “Taisez-vous, Silence!” he cries ‘in a terrible voice, d’une voix terrible.’ He mounts the scaffold, not without delay; he is in puce coat, breeches of grey, white stockings. He strips off the coat; stands disclosed in a sleeve-waistcoat of white flannel. The Executioners approach to bind him: he spurns, resists; Abbe Edgeworth has to remind him how the Saviour, in whom men trust, submitted to be bound.
His hands are tied, his head bare; the fatal moment is come. He advances to the edge of the Scaffold, ‘his face very red,’ and says: “Frenchmen, I die
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