Travels in France during the years 1814-1815 by Patrick Fraser Tytler (best e ink reader for manga .txt) 📕

means will be found to consist in the selection of as few figures as is consistent with the developement of the characteristic expression of the composition; and it is, perhaps, to this circumstance, that we are to impute the unequalled charm which belongs to the pictures of single figures, or small groups, in which a single expression is alone attempted.

4. The last principle of the art appeared to be, that both painting and sculpture are wholly unfit for the representation of PASSION, as expressed by motion; and that, to attempt to delineate it, necessarily injures the effect of the composition. Neither, it is clear, can express actual motion: they should not attempt, therefore, to represent those passions of the mind which motion alone is adequate to express. The attempt to delineate violent passion, accordingly, uniformly produces a painful or a ridiculous effect; it does not even convey any conception of the passion itself, because its character is not known by the expression of any single moment, but by the rapid changes which result from the perturbed state into which the mind is thrown. It is hence that passion seems so ridiculous when seen at a distance, or without the cause of its existence being known, and it is hence, that if a human figure were petrified in any of the stages of passion, it would have so painful or insane an appearance.—As painting, therefore, cannot exhibit the rapid changes in which the real expression of passion consists, it should not attempt its delineation at all. Its real object is, the expression of emotion, of that more settled state of the human mind when the changes of passion are gone—when the countenance is moulded into the expression of permanent feeling, and the existence of this feeling is marked by the permanent expression which the features have assumed.

The greatest artists of ancient and modern times, accordingly, have selected, even in the representation of violent exertion, that moment of temporary repose, when a permanent expression is given to the figure. Even the Laocoon is not in the state of actual exertion: it is represented in that moment when the last effort has been made; when straining against an invincible power has given to the figure the aspect at last of momentary repose; and when despair has placed its settled mark on the expression of the countenance. The Fighting Gladiator is not represented in a state of actual activity, but in that moment when he is preparing his mind for the future and final contest, and when, in this deep concentration of his powers, the pause which the genius of the artist has given, expresses more distinctly to the eye of the spectator the determined character of the combatant, than all that the struggle or agony of the combat itself could afterwards display.

The Grecian statues which were assembled in the Louvre may be considered as the most perfect works of human genius; and after surveying the different schools of painting which it contains, we could not but feel those higher conceptions of human form, and of human nature, which the taste of ancient statuary had formed. It is not in the moment of action that it has represented man, but in the moment after action, when the tumult of passion has ceased, and all that is great or dignified in moral nature remains; and the greatest works of modern art are those which approach nearest to the same principle. It is not Hercules in the moment of earthly combat, when every muscle was swollen with the strength he was exerting, that they represent; but Hercules in the moment of transformation into a nobler being, when the exertion of mortality has passed, and his powers seem to repose in the tranquillity of Heaven: not Apollo, when straining his youthful strength in drawing the bow; but Apollo, when the weapon was discharged, watching, with unexulting eye, its resistless course, and serene in the enjoyment of immortal power: not St Michael when struggling with the Demon, and marring the beauty of angelic form by the violence of earthly passion, but St Michael in the moment of unruffled triumph, restraining the might of Almighty power, and radiant with the beams of eternal mercy.

CHAPTER VI.

PARIS—THE FRENCH CHARACTER AND MANNERS.

We do not by any means consider ourselves as qualified to enter fully into the interesting subject of the national character of the French; but we shall venture to state, in this place, what appeared to us its most striking peculiarities, particularly as it is observed at Paris. Our stay in the capital was too short, and our opportunities of observation too limited, to entitle us to speak with confidence; but it is to be remembered on the other hand, that there is a surprising uniformity of character among the French, which facilitates observation. The habit of constant intercourse in society, which constitutes their greatest pleasure, and has made them, in their own opinion, the most polished nation on earth, appears not merely to have assimilated their manners to one another, in the manner so finely illustrated by the celebrated simile of Sterne[2], but to have engendered a kind of conventional standard character, by which all those we observe are more or less modelled.

The most striking and formidable part of their general character is, the contempt for religion which is so frequently and openly expressed. In all countries there are men of a selfish and abstracted turn of mind, who are more disposed than others to religious argument and doubt; and in all, there are a greater number, whose worldly passions lead them to the neglect, or hurry them on to the violation of religious precepts; but a great nation, among whom a cool selfish regard to personal comfort and enjoyment has been deliberately substituted for religious feeling, and where it is generally esteemed reasonable and wise to oppose and wrestle down, by metaphysical arguments, the natural and becoming sentiments of piety, as they arise in the human breast, is hitherto, and it is to be hoped will long continue, an anomaly in the history of mankind.

We heard it estimated at Paris, that 40,000 out of 600,000 inhabitants of that town attend church; one half of which number, they say, are actuated in so doing by real sentiments of devotion; but to judge from the very small numbers whom we have ever seen attending the regular service in any of the churches, we should think this proportion greatly overrated. Of those whom we have seen there, at least two-thirds have been women above fifty, or girls under fifteen years of age. In all Catholic countries, Sunday is a day of amusement and festivity, as well as of religion—but it is generally, also, one of relaxation from business: in Paris, we could see very little signs of the latter in the forenoons, but the amusements and dissipation of the capital were visibly increased in the evenings; and the Parisians have some reason for their remark, that their day of rest is changed to Monday, when the effect of their last night's dissipation wholly incapacitates them for exertion.

It is clear, that it is quite absurd to attempt altering the manner of spending the Sundays at Paris, while the sentiments of the people, in regard to religion, continue such as at present; but it must be admitted, on the other hand, that their habits, as to the way of spending Sundays, re-act powerfully on their sentiments; and that the minds of the lower orders, in particular, are much debased by the want of what have been emphatically called "these precious breathing times for the labouring part of the community."

Frenchmen of the higher ranks seem, at present, generally disposed to wave the subject of religion; but those of the middling ranks, by whom the business of the country is mainly carried on, do not scruple to express their contempt of it;—they applaud with enthusiasm all irreligious sentiments in the theatres, and seldom mention priests, of any persuasion, without the epithet of sacrès.

We were informed in Holland, that the Frenchmen who were sent to that country in official capacities, military or civil, manifested on all occasions the utmost contempt for religion. A French General, quartered in the house of a respectable gentleman in Amsterdam, inquired the reason, the first Sunday that he was there, of the family going out in their best clothes; and being told they were going to church, he expressed his surprise, saying,—"Now that you are a part of the great nation, it is time for you to have done with that nonsense."

To an Englishman, who has been accustomed to see the ordinances of religion regularly observed by the great majority of his countrymen, the neglect of them by the French people appears very singular, and even unnatural. When we afterwards visited Flanders, and observed the manifest respect of the people for religion—when when saw the numberless handsome churches in the villages, and the frequent religious processions in the streets of the towns—when we entered the Great Cathedral at Antwerp, and found vast numbers of people, of both sexes, and all ranks and ages, on their knees, engaged, with the appearance of sincere devotion, in the solemn and striking service of vespers, we could not help saying among ourselves, that this people, for better reasons than mere political convenience, deserved to be separated from the French.

Yet, we do not mean to say that the French are wholly, or even generally devoid of religious feeling; on the contrary, we believe it may often be seen to break out in a very striking manner, even in the conversation of those who are accustomed to think it wise to express contempt for it. A Frenchman, full of enthusiasm about the glory of his country, who was talking to us of the deeds and sufferings of the French army in Russia, concluded his description of the latter with these emphatic words: "Ah! Monsieur, Ce n'est pas les Russes; C'est le bon Dieu qui a fait cela."

In point of intellectual ability, the French are certainly inferior to no other nation. They have not, perhaps, so frequently as others, that cool, sound judgment in matters of speculation, which can fit them for unravelling with success the perplexities of metaphysics; but their unparalleled success in mathematical pursuits is the best possible proof of the accuracy and quickness of their reasoning powers, when confined within due bounds. We do not refer to the astonishing efforts of such men as d'Alembert or La Place, but to the general diffusion of mathematical knowledge among all who receive a scientific education. It is not, perhaps, going too far to say, that few professors in Britain have an equally accurate and extensive knowledge of the integral and differential calculus, with some lads of 17 or 18, who have completed their education at the Ecole Polytechnique. Unless a man makes discoveries of his own in mathematics, he is little thought of as a mathematician by the men of science at Paris, even although he may be intimately versed in all the branches of that science as it stands.

Under the Imperial Government, it was not considered safe to cultivate any sciences which relate to politics or morals; but the advancement of the physical and mathematical sciences in France during that time, sufficiently indicates that there has been no want of talents or industry.

It may be remarked as a striking characteristic of the French scientific works, that they are almost always well arranged, and the meaning of the author fully and unequivocally expressed. A Frenchman does not always take a comprehensive view of his subject, but he seldom fails to take a clear view of it. The same turn of mind may be observed in the conversation of Frenchmen; even when their information is defective, they will very generally arrest attention by the apparent order and perspicuity of their thoughts; and they never seem