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Hoax ghosts are fairly numerous in British as in American literature, one of the early specimens of the kind being The Specter of Tappington in the Ingoldsby Legends. The files of Blackwood's Magazine reveal several examples, though not of high literary value.

Of the early specimens of the really amusing ghost that is an actual revenant is The Ghost Baby, in Blackwood's, which shows originality and humor, yet is too diffuse for printing here. In that we have a conventional young bachelor, engaged to a charming girl, who is entangled in social complications and made to suffer mental torment because, without his consent, he has been chosen as the nurse and guardian of a ghost baby that cradles after him wherever he goes. This is a rich story almost spoiled by being poorly told. I sigh to think of the laughs that Frank R. Stockton or John Kendrick Bangs or Gelett Burgess could have got out of the situation. There are other comic British spooks, as in Baring-Gould's A Happy Release, where a widow and a widower in love are haunted by the jealous ghosts of their respective spouses, till the phantom couple take a liking to each other and decide to let the living bury their dead. This is suggestive of Brander Matthews's earlier and cleverer story of a spectral courtship, in The Rival Ghosts. Medieval and later literature gave us many instances of a love affair or marriage between one spirit and one mortal, but it remained for the modern American to celebrate the nuptials of two ghosts. Think of being married when you know that you and the other party are going to live ever after—whether happily or no! Truly, the present terrors are more fearsome than the old!

The stories by Eden Phillpotts and Richard Middleton in this collection show the diversity of the English humor as associated with apparitions, and are entertaining in themselves. The Canterville Ghost, by Oscar Wilde, is one of his best short stories and is in his happiest vein of laughing satire. This travesty on the conventional traditions of the wraith is preposterously delightful, one of the cleverest ghost stories in our language. Zangwill has written engagingly of spooks, with a laughable story about Samuel Johnson. And there are others. But the fact remains that in spite of conceded and admirable examples, the humorous ghost story is for the most part American in creation and spirit. Washington Irving might be said to have started that fashion in skeletons and shades, for he has given us various comic haunters, some real and some make-believe. Frank R. Stockton gave his to funny spooks with a riotous and laughing pen. The spirit in his Transferred Ghost is impudently deathless, and has called up a train of subsequent haunters. John Kendrick Bangs has made the darker regions seem comfortable and homelike for us, and has created ghosts so human and so funny that we look forward to being one—or more. We feel downright neighborly toward such specters as the futile “last ghost” Nelson Lloyd evokes for us, as we appreciate the satire of Rose O'Neill's sophisticated wraith. The daring concept of Gelett Burgess's Ghost Extinguisher is altogether American. The field is still comparatively limited, but a number of Americans have done distinctive work in it. The specter now wears motley instead of a shroud, and shakes his jester's bells the while he rattles his bones. I dare any, however grouchy, reader to finish the stories in this volume without having a kindlier feeling toward ghosts!

D. S.

New York,
March, 1921.



CONTENTS
PAGE Introduction: The Humorous Ghost vii   The Canterville Ghost 3 By Oscar Wilde The Ghost-Extinguisher 51 By Gelett Burgess “Dey Ain't No Ghosts” 69 By Ellis Parker Butler The Transferred Ghost 89 By Frank R. Stockton The Mummy's Foot 109 By Théophile Gautier The Rival Ghosts 129 By Brander Matthews The Water Ghost of Harrowby Hall 159 By John Kendrick Bangs Back from that Bourne 175 Anonymous The Ghost-Ship 187 By Richard Middleton The Transplanted Ghost 205 By Wallace Irwin The Last Ghost in Harmony 229 By Nelson Lloyd The Ghost of Miser Brimpson 247 By Eden Phillpotts The Haunted Photograph 275 By Ruth McEnery Stuart The Ghost that Got the Button 295 By Will Adams The Specter Bridegroom 315 By Washington Irving The Specter of Tappington 341 Compiled by Richard Barham In the Barn 385 By Burges Johnson A Shady Plot 403 By Elsie Brown The Lady and the Ghost 425 By Rose Cecil O'Neill



HUMOROUS GHOST STORIES



THE CANTERVILLE GHOST

An amusing chronicle of the tribulations of the Ghost of Canterville Chase when his ancestral halls became the home of the American Minister to the Court of St. James.

By OSCAR WILDE

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The Canterville Ghost

By OSCAR WILDE I

When Mr. Hiram B. Otis, the American Minister, bought Canterville Chase, everyone told him he was doing a very foolish thing, as there was no doubt at all that the place was haunted. Indeed, Lord Canterville himself, who was a man of the most punctilious honor, had felt it his duty to mention the fact to Mr. Otis when they came to discuss terms.

“We have not cared to live in the place ourselves,” said Lord Canterville, “since my grand-aunt, the Dowager Duchess of Bolton, was frightened into a fit, from which she never really recovered, by two skeleton hands being placed on her shoulders as she was dressing for dinner, and I feel bound to tell you, Mr. Otis, that the ghost has been seen by several living members of my family, as well as by the rector of the parish, the Rev. Augustus Dampier, who is a Fellow of King's College, Cambridge. After the unfortunate accident to the Duchess, none of our younger servants would stay with us, and Lady Canterville often got very little sleep at night, in consequence of the mysterious noises that came from the corridor and the library.”

“My Lord,” answered the Minister, “I will take the furniture and the ghost at a valuation. I have come from a modern country, where we have everything that money can buy; and with all our spry young fellows painting the Old World red, and carrying off your best actors and prima-donnas, I reckon that if there were such a thing as a ghost in Europe, we'd have it at home in a very short time in one of our public museums, or on the road as a show.”

“I fear that the ghost exists,” said Lord Canterville, smiling, “though it may have resisted the overtures of your enterprising impresarios. It has been well known for three centuries, since 1584 in fact, and always makes its appearance before the death of any member of our family.”

“Well, so does the family doctor for that matter, Lord Canterville. But there is no such thing, sir, as a ghost, and I guess the laws of Nature are not going to be suspended for the British aristocracy.”

“You are certainly very natural in America,” answered Lord Canterville, who did not quite understand Mr. Otis's last observation, “and if you don't mind a ghost in the house, it is all right. Only you must remember I warned you.”

A few weeks after this, the purchase was concluded, and at the close of the season the Minister and his family went down to Canterville Chase. Mrs. Otis, who, as Miss Lucretia R. Tappan, of West 53d Street, had been a celebrated New York belle, was now a very handsome, middle-aged woman, with fine eyes, and a superb profile. Many American ladies on leaving their native land adopt an appearance of chronic ill-health, under the impression that it is a form of European refinement, but Mrs. Otis had never fallen into this error. She had a magnificent constitution, and a really wonderful amount of animal spirits. Indeed, in many respects, she was quite English, and was an excellent example of the fact that we have really everything in common with America nowadays, except, of course, language. Her eldest son, christened Washington by his parents in a moment of patriotism, which he never ceased to regret, was a fair-haired, rather good-looking young man, who had qualified himself for American diplomacy by leading the German at the Newport Casino for three successive seasons, and even in London was well known as an excellent dancer. Gardenias and the peerage were his only weaknesses. Otherwise he was extremely sensible. Miss Virginia E. Otis was a little girl of fifteen, lithe and lovely as a fawn, and with a fine freedom in her large blue eyes. She was a wonderful Amazon, and had once raced old Lord Bilton on her pony twice round the park, winning by a length and a half, just in front of the Achilles statue, to the huge delight of the young Duke of Cheshire, who proposed for her on the spot, and was sent back to Eton that very night by his guardians, in floods of tears. After Virginia came the twins, who were usually called “The Stars and Stripes,” as they were always getting swished. They were delightful boys, and, with the exception of the worthy Minister, the only true republicans of the family.

As Canterville Chase is seven miles from Ascot, the nearest railway station, Mr. Otis had telegraphed for a wagonette to meet them, and they started on their drive in high spirits. It was a lovely July evening, and the air was delicate with the scent of the pinewoods. Now and then they heard a wood-pigeon brooding over its own sweet voice, or saw, deep in the rustling fern, the burnished breast of the pheasant. Little squirrels peered at them from the beech-trees as they went by, and the rabbits scudded away through the brushwood and over the mossy knolls, with their white tails in the air. As they entered the avenue of Canterville Chase, however, the sky became suddenly overcast with clouds, a curious stillness seemed to hold the atmosphere, a great flight of rooks passed silently over their heads, and, before they reached the house, some big drops of rain had fallen.

Standing on the steps to receive them was an old woman, neatly dressed in black silk, with a white cap and apron. This was Mrs. Umney, the housekeeper, whom Mrs. Otis, at Lady Canterville's earnest request, had consented to keep in her former position. She made them each a low curtsy as they alighted, and said in a quaint, old-fashioned manner, “I bid you welcome to Canterville Chase.” Following her, they passed through the fine Tudor hall into the library, a long, low room, paneled in black oak, at the end of which was a large stained glass window. Here they found tea laid out for them, and, after taking off their wraps, they sat down and began to look round, while Mrs. Umney waited on them.

Suddenly Mrs. Otis caught sight of a dull red stain on the floor just by the fireplace, and, quite unconscious of what it really signified, said to Mrs. Umney, “I am afraid something has been spilled there.”

“Yes, madam,”

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