Little Women by Louisa May Alcott (adult books to read TXT) 📕

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"I'm glad of it!" muttered Jo, tying on her hat with a jerk.

"Why?" asked Meg, looking surprised.

"Because if you care much about riches, you will never go and marry a poor man," said Jo, frowning at Laurie, who was mutely warning her to mind what she said.

"I shall never 'go and marry' anyone," observed Meg, walking on with great dignity while the others followed, laughing, whispering, skipping stones, and 'behaving like children', as Meg said to herself, though she might have been tempted to join them if she had not had her best dress on.

For a week or two, Jo behaved so queerly that her sisters were quite bewildered. She rushed to the door when the postman rang, was rude to Mr. Brooke whenever they met, would sit looking at Meg with a woe-begone face, occasionally jumping up to shake and then kiss her in a very mysterious manner. Laurie and she were always making signs to one another, and talking about 'Spread Eagles' till the girls declared they had both lost their wits. On the second Saturday after Jo got out of the window, Meg, as she sat sewing at her window, was scandalized by the sight of Laurie chasing Jo all over the garden and finally capturing her in Amy's bower. What went on there, Meg could not see, but shrieks of laughter were heard, followed by the murmur of voices and a great flapping of newspapers.

"What shall we do with that girl? She never will behave like a young lady," sighed Meg, as she watched the race with a disapproving face.

"I hope she won't. She is so funny and dear as she is," said Beth, who had never betrayed that she was a little hurt at Jo's having secrets with anyone but her.

"It's very trying, but we never can make her comme la fo," added Amy, who sat making some new frills for herself, with her curls tied up in a very becoming way, two agreeable things that made her feel unusually elegant and ladylike.

In a few minutes Jo bounced in, laid herself on the sofa, and affected to read.

"Have you anything interesting there?" asked Meg, with condescension.

"Nothing but a story, won't amount to much, I guess," returned Jo, carefully keeping the name of the paper out of sight.

"You'd better read it aloud. That will amuse us and keep you out of mischief," said Amy in her most grown-up tone.

"What's the name?" asked Beth, wondering why Jo kept her face behind the sheet.

"The Rival Painters."

"That sounds well. Read it," said Meg.

With a loud "Hem!" and a long breath, Jo began to read very fast. The girls listened with interest, for the tale was romantic, and somewhat pathetic, as most of the characters died in the end. "I like that about the splendid picture," was Amy's approving remark, as Jo paused.

"I prefer the lovering part. Viola and Angelo are two of our favorite names, isn't that queer?" said Meg, wiping her eyes, for the lovering part was tragical.

"Who wrote it?" asked Beth, who had caught a glimpse of Jo's face.

The reader suddenly sat up, cast away the paper, displaying a flushed countenance, and with a funny mixture of solemnity and excitement replied in a loud voice, "Your sister."

"You?" cried Meg, dropping her work.

"It's very good," said Amy critically.

"I knew it! I knew it! Oh, my Jo, I am so proud!" and Beth ran to hug her sister and exult over this splendid success.

Dear me, how delighted they all were, to be sure! How Meg wouldn't believe it till she saw the words. "Miss Josephine March," actually printed in the paper. How graciously Amy critisized the artistic parts of the story, and offered hints for a sequel, which unfortunately couldn't be carried out, as the hero and heroine were dead. How Beth got excited, and skipped and sang with joy. How Hannah came in to exclaim, "Sakes alive, well I never!" in great astonishment at 'that Jo's doin's'. How proud Mrs. March was when she knew it. How Jo laughed, with tears in her eyes, as she declared she might as well be a peacock and done with it, and how the 'Spread Eagle' might be said to flap his wings triumphantly over the House of March, as the paper passed from hand to hand.

"Tell us about it." "When did it come?" "How much did you get for it?" "What will Father say?" "Won't Laurie laugh?" cried the family, all in one breath as they clustered about Jo, for these foolish, affectionate people made a jubilee of every little household joy.

"Stop jabbering, girls, and I'll tell you everything," said Jo, wondering if Miss Burney felt any grander over her Evelina than she did over her 'Rival Painters'. Having told how she disposed of her tales, Jo added, "And when I went to get my answer, the man said he liked them both, but didn't pay beginners, only let them print in his paper, and noticed the stories. It was good practice, he said, and when the beginners improved, anyone would pay. So I let him have the two stories, and today this was sent to me, and Laurie caught me with it and insisted on seeing it, so I let him. And he said it was good, and I shall write more, and he's going to get the next paid for, and I am so happy, for in time I may be able to support myself and help the girls."

Jo's breath gave out here, and wrapping her head in the paper, she bedewed her little story with a few natural tears, for to be independent and earn the praise of those she loved were the dearest wishes of her heart, and this seemed to be the first step toward that happy end.


CHAPTER FIFTEEN

A TELEGRAM

"November is the most disagreeable month in the whole year," said Margaret, standing at the window one dull afternoon, looking out at the frostbitten garden.

"That's the reason I was born in it," observed Jo pensively, quite unconscious of the blot on her nose.

"If something very pleasant should happen now, we should think it a delightful month," said Beth, who took a hopeful view of everything, even November.

"I dare say, but nothing pleasant ever does happen in this family," said Meg, who was out of sorts. "We go grubbing along day after day, without a bit of change, and very little fun. We might as well be in a treadmill."

"My patience, how blue we are!" cried Jo. "I don't much wonder, poor dear, for you see other girls having splendid times, while you grind, grind, year in and year out. Oh, don't I wish I could manage things for you as I do for my heroines! You're pretty enough and good enough already, so I'd have some rich relation leave you a fortune unexpectedly. Then you'd dash out as an heiress, scorn everyone who has slighted you, go abroad, and come home my Lady Something in a blaze of splendor and elegance."

"People don't have fortunes left them in that style nowadays, men have to work and women marry for money. It's a dreadfully unjust world," said Meg bitterly.

"Jo and I are going to make fortunes for you all. Just wait ten years, and see if we don't," said Amy, who sat in a corner making mud pies, as Hannah called her little clay models of birds, fruit, and faces.

"Can't wait, and I'm afraid I haven't much faith in ink and dirt, though I'm grateful for your good intentions."

Meg sighed, and turned to the frostbitten garden again. Jo groaned and leaned both elbows on the table in a despondent attitude, but Amy spatted away energetically, and Beth, who sat at the other window, said, smiling, "Two pleasant things are going to happen right away. Marmee is coming down the street, and Laurie is tramping through the garden as if he had something nice to tell."

In they both came, Mrs. March with her usual question, "Any letter from Father, girls?" and Laurie to say in his persuasive way, "Won't some of you come for a drive? I've been working away at mathematics till my head is in a muddle, and I'm going to freshen my wits by a brisk turn. It's a dull day, but the air isn't bad, and I'm going to take Brooke home, so it will be gay inside, if it isn't out. Come, Jo, you and Beth will go, won't you?"

"Of course we will."

"Much obliged, but I'm busy." And Meg whisked out her workbasket, for she had agreed with her mother that it was best, for her at least, not to drive too often with the young gentleman.

"We three will be ready in a minute," cried Amy, running away to wash her hands.

"Can I do anything for you, Madam Mother?" asked Laurie, leaning over Mrs. March's chair with the affectionate look and tone he always gave her.

"No, thank you, except call at the office, if you'll be so kind, dear. It's our day for a letter, and the postman hasn't been. Father is as regular as the sun, but there's some delay on the way, perhaps."

A sharp ring interrupted her, and a minute after Hannah came in with a letter.

"It's one of them horrid telegraph things, mum," she said, handling it as if she was afraid it would explode and do some damage.

At the word 'telegraph', Mrs. March snatched it, read the two lines it contained, and dropped back into her chair as white as if the little paper had sent a bullet to her heart. Laurie dashed downstairs for water, while Meg and Hannah supported her, and Jo read aloud, in a frightened voice . . .

Mrs. March:
Your husband is very ill. Come at once.
S. HALE
Blank Hospital, Washington.

How still the room was as they listened breathlessly, how strangely the day darkened outside, and how suddenly the whole world seemed to change, as the girls gathered about their mother, feeling as if all the happiness and support of their lives was about to be taken from them.

Mrs. March was herself again directly, read the message over, and stretched out her arms to her daughters, saying, in a tone they never forgot, "I shall go at once, but it may be too late. Oh, children, children, help me to bear it!"

For several minutes there was nothing but the sound of sobbing in the room, mingled with broken words of comfort, tender assurances of help, and hopeful whispers that died away in tears. Poor Hannah was the first to recover, and with unconscious wisdom she set all the rest a good example, for with her, work was panacea for most afflictions.

"The Lord keep the dear man! I won't waste no time a-cryin', but git your things ready right away, mum," she said heartily, as she wiped her face on her apron, gave her mistress a warm shake of the hand with her own hard one, and went away to work like three women in one.

"She's right, there's no