Underground by Suelette Dreyfus (top rated books of all time txt) 📕

such person may choose to alternatively give you a second opportunity to receive it electronically.

THIS ETEXT IS OTHERWISE PROVIDED TO YOU “AS-IS”. NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.

INDEMNITY You will indemnify and hold Michael Hart and the Foundation, and its trustees and agents, and any volunteers associated with the production and distribution of Project Gutenberg-tm texts harmless, from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect.

WHAT IF YOU WANT TO SEND MONEY EVEN IF YOU DON’T HAVE TO? Project Gutenberg is dedicated to increasing the number of public domain and licensed works that can be freely distributed in machine readable form.

The Project gratefully accepts contributions of money, time, public domain materials, or royalty free copyright licenses. Money should be paid to the: “Project Gutenberg Literary Archive Foundation.”

If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: hart@pobox.com

*SMALL PRINT! Ver.12.12.00 FOR COPYRIGHT PROTECTED ETEXTS*END*

“I have donated my book “Underground” to Project Gutenberg’s collection in memory of my great aunt, Lucie Palmer. Lucie was an explorer, a naturalist, a keen undersea diver and above all a gifted painter. In the last years of her life, she lost her vision due to macular degeneration. She could no longer do her beloved undersea paintings. But, while she could not travel in person, she continued to travel in her mind through books for the vision impaired. I hope you enjoy your journey to another world as much as she did. — From Suelette Dreyfus, Author, Underground”

Underground — Hacking, madness and obsession on the electronic frontier.

By Suelette Dreyfus with Research by Julian Assange.

`Gripping, eminently readable.. Dreyfus has uncovered one of this country’s best kept secrets and in doing so has created a highly intense and enjoyable read’ — Rolling Stone

www.underground-book.com

This edition has been specifically adapted for speech synthesis. We recommend using a different distribution with intact type-setting for visual use.

First Published 1997 by Mandarin; a part of Reed Books Australia; 35 Cotham Road, Kew 3101.

a subsidiary of Random House books Australia.

a division of Random House International Pty Limited.

Copyright © 1997, 2001 Suelette Dreyfus & Julian Assange.

All rights reserved. Without limiting the rights under copyright above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher.

Typeset in New Baskerville by J&M Typesetting.

Printed and bound in Australia by Australian Print Group.

National Library of Australia.

cataloguing-in-publication data:

Dreyfus, Suelette.

Underground: tales of hacking, madness & obsession on the electronic frontier.

Bibliography:

ISBN number 1 86330 595 5

1. Computer hackers—Australia—Biography. 2. Computer crimes—Australia. 3. Computer security—Australia. I. Assange, Julian. II. Title.

364.1680922

Send all comments to “feedback@underground-book.com”.

Preface to the electronic edition.

Why would an author give away an unlimited number of copies of her book for free? That’s a good question. When `Underground‘‘s researcher, Julian Assange, first suggested releasing an electronic version of the book on the Net for free, I had to stop and think about just that question.

I’d spent nearly three years researching, writing and editing the nearly 500 pages of `Underground’. Julian had worked thousands of hours doing painstaking research; discovering and cultivating sources, digging with great resourcefulness into obscure databases and legal papers, not to mention providing valuable editorial advice.

So why would I give away this carefully ripened fruit for free?

Because part of the joy of creating a piece of art is in knowing that many people can – and are – enjoying it. Particularly people who can’t otherwise afford to pay $11 USD for a book. People such as cash strapped hackers. This book is about them, their lives and obsessions. It rubs clear a small circle in the frosted glass so the reader can peer into that hazy world. `Underground’ belongs on the Net, in their ephemeral landscape.

The critics have been good to `Underground’, for which I am very grateful. But the best praise came from two of the hackers detailed in the book. Surprising praise, because while the text is free of the narrative moralising that plague other works, the selection of material is often very personal and evokes mixed sympathies. One of the hackers, Anthrax dropped by my office to say `Hi’. Out of the blue, he said with a note of amazement, `When I read those chapters, it was so real, as if you had been right there inside my head’. Not long after Par, half a world away, and with a real tone of bewildered incredulity in his voice made exactly the same observation. For a writer, it just doesn’t get any better than that.

By releasing this book for free on the Net, I’m hoping more people will not only enjoy the story of how the international computer underground rose to power, but also make the journey into the minds of hackers involved. When I first began sketching out the book’s structure, I decided to go with depth. I wanted the reader to think, ‘NOW I understand, because I too was there.’ I hope those words will enter your thoughts as you read this electronic book.

Michael Hall, a supersmart lawyer on the book’s legal team, told me in July last year he saw a young man in Sydney reading a copy of `Underground’ beside him on the #380 bus to North Bondi. Michael said he wanted to lean over and proclaim proudly, `I legalled that book!’. Instead, he chose to watch the young man’s reactions.

The young man was completely absorbed, reading hungrily through his well-worn copy, which he had completely personalised. The pages were covered in highlighter, scrawled margin writing and post-it notes. He had underlined sections and dog-eared pages. If the bus had detoured to Brisbane, he probably wouldn’t have noticed.

I like that. Call me subversive, but I’m chuffed `Underground’ is engaging enough to make people miss bus stops. It makes me happy, and happy people usually want to share.

There are other reasons for releasing `Underground’ in this format. The electronic version is being donated to the visionary Project Gutenburg, a collection of free electronic books run with missionary zeal by Michael Hart.

Project Gutenburg promises to keep old out-of-print books in free ``electronic’’ print forever, to bring literature to those who can’t afford books, and to brighten the world of the visually impaired. `Underground’ isn’t out of print — and long may it remain that way — but those are laudable goals. I wrote in the `Introduction’ to the printed edition about my great aunt, a diver and artist who pioneered underwater painting in the 1940s. She provided me with a kind of inspiration for this book. What I didn’t mention is that as a result of macular degeneration in both eyes, she is now blind. She can no longer paint or dive. But she does read – avidly – through `talking books’. She is another reason I decided to release `Underground’ in this format.

So, now you can download and read the electronic version of `Underground’ for free. You can also send the work to your friends for free. Or your enemies. At over a megabyte of plain text each, a few dozen copies of underground make an extremely effective mail bomb.

That’s a joke, folks, not a suggestion. ;-)

Like many of the people in this book, I’m not big on rules. Fortunately, there aren’t many that come with this electronic version. Don’t print the work on paper, CD or any other format, except for your own personal reading pleasure. This includes using the work as teaching material in institutions. You must not alter or truncate the work in any way. You must not redistribute the work for any sort of payment, including selling it on its own or as part of a package. Random House is a friendly place, but as one of the world’s largest publishers it has a collection of equally large lawyers. Messing with them will leave you with scars in places that could be hard to explain to any future partner.

If you want to do any of these things, please contact me or my literary agents Curtis Brown & Co first. I retain the copyright on the work. Julian Assange designed the elegant layout of this electronic edition, and he retains ownership of this design and layout.

If you like the electronic version of the book, do buy the paper version. Why? For starters, it’s not only much easier to read on the bus, its much easier to read full stop. It’s also easier to thumb through, highlight, scribble on, dribble on, and show off. It never needs batteries. It can run on solar power and candles. It looks sexy on your bookshelf, by your bed and in your bed. If you are a male geek, the book comes with a girl-magnet guarantee. The paper version is much easier to lend to a prospective girlfriend. When she’s finished reading the book, ask her which hacker thrilled her to pieces. Then nod knowingly, and say coyly `Well, I’ve never admitted this to anyone except the author and the Feds, but ..’

And the most important reason to purchase a paper copy? Because buying the printed edition of the book lets the author continue to write more fine books like this one.

Enjoy!

Suelette Dreyfus January 2001 suelette@iq.org Researcher’s introduction.

“Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth” — Oscar Wilde

“What is essential is invisible to the eye” — Antoine De Saint-Exupery

“But, how do you know it happened like that?” — Reader

Due of the seamless nature