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were not allowed to touch the animal, I feared that she did not get a correct idea of its shape. A few days afterward, however, hearing a commotion in the schoolroom, I went in and found Helen on all fours with a pillow so strapped upon her back as to leave a hollow in the middle, thus making a hump on either side. Between these humps she had placed her doll, which she was giving a ride around the room. I watched her for some time as she moved about, trying to take long strides in order to carry out the idea I had given her of a camel’s gait. When I asked her what she was doing, she replied, “I am a very funny camel.”

During the next two years neither Mr. Anagnos, who was in Europe for a year, nor Miss Sullivan wrote anything about Helen Keller for publication. In 1892 appeared the Perkins Institution report for 1891, containing a full account of Helen Keller, including many of her letters, exercises, and compositions. As some of the letters and the story of the “Frost King” are published here, there is no need of printing any more samples of Helen Keller’s writing during the third, fourth and fifth years of her education. It was the first two years that counted. From Miss Sullivan’s part of this report I give her most important comments and such biographical matter as does not appear elsewhere in the present volume.

These extracts Mr. Anagnos took from Miss Sullivan’s notes and memoranda.

One day, while her pony and her donkey were standing side by side, Helen went from one to the other, examining them closely. At last she paused with her hand upon Neddy’s head, and addressed him thus: “Yes, dear Neddy, it is true that you are not as beautiful as Black Beauty. Your body is not so handsomely formed, and there is no proud look in your face, and your neck does not arch, Besides, your long ears make you look a little funny. Of course, you cannot help it, and I love you just as well as if you were the most beautiful creature in the world.”

Helen has been greatly interested in the story of Black Beauty. To show how quickly she perceives and associates ideas, I will give an instance which all who have read the book will be able to appreciate. I was reading the following paragraph to her:

“The horse was an old, worn-out chestnut, with an ill-kept coat, and bones that showed plainly through it; the knees knuckled over, and the forelegs were very unsteady. I had been eating some hay, and the wind rolled a little lock of it that way, and the poor creature put out her long, thin neck and picked it up, and then turned round and looked about for more. There was a hopeless look in the dull eye that I could not help noticing, and then, as I was thinking where I had seen that horse before, she looked full at me and said, ‘Black Beauty, is that you?’ ”

At this point Helen pressed my hand to stop me. She was sobbing convulsively. “It was poor Ginger,” was all she could say at first. Later, when she was able to talk about it, she said: “Poor Ginger! The words made a distinct picture in my mind. I could see the way Ginger looked; all her beauty gone, her beautiful arched neck drooping, all the spirit gone out of her flashing eyes, all the playfulness gone out of her manner. Oh, how terrible it was! I never knew before that there could be such a change in anything. There were very few spots of sunshine in poor Ginger’s life, and the sadnesses were so many!” After a moment she added, mournfully, “I fear some people’s lives are just like Ginger’s.”

This morning Helen was reading for the first time Bryant’s poem, “Oh, mother of a mighty race!” I said to her, “Tell me, when you have read the poem through, who you think the mother is.” When she came to the line, “There’s freedom at thy gates, and rest,” she exclaimed: “It means America! The gate, I suppose, is New York City, and Freedom is the great statue of Liberty.” After she had read The Battlefield, by the same author, I asked her which verse she thought was the most beautiful. She replied, “I like this verse best:

‘Truth crushed to earth shall rise again;
The eternal years of God are hers;
But Error, wounded, writhes with pain,
And dies among his worshipers.’ ”

She is at once transported into the midst of the events of a story. She rejoices when justice wins, she is sad when virtue lies low, and her face glows with admiration and reverence when heroic deeds are described. She even enters into the spirit of battle; she says, “I think it is right for men to fight against wrongs and tyrants.”

Here begins Miss Sullivan’s connected account in the report of 1891:

During the past three years Helen has continued to make rapid progress in the acquisition of language. She has one advantage over ordinary children, that nothing from without distracts her attention from her studies.

But this advantage involves a corresponding disadvantage, the danger of unduly severe mental application. Her mind is so constituted that she is in a state of feverish unrest while conscious that there is something that she does not comprehend. I have never known her to be willing to leave a lesson when she felt that there was anything in it which she did not understand. If I suggest her leaving a problem in arithmetic until the next day, she answers, “I think it will make my mind stronger to do it now.”

A few evenings ago we were discussing the tariff. Helen wanted me to tell her about it. I said: “No. You cannot understand it yet.” She was quiet for a moment, and then asked, with spirit: “How do you

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