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I know. I’ll try to forgive you.”

“I can’t help thinking at times of the poor girl, Amy. Life will be easier for her now, with only her mother to support. Someone spoke of her this evening, and repeated Fadge’s lie that she used to do all her father’s writing.”

“She was capable of doing it. I must seem to you rather a poor-brained woman in comparison. Isn’t it true?”

“My dearest, you are a perfect woman, and poor Marian was only a clever schoolgirl. Do you know, I never could help imagining that she had ink-stains on her fingers. Heaven forbid that I should say it unkindly! It was touching to me at the time, for I knew how fearfully hard she worked.”

“She nearly ruined your life; remember that.”

Jasper was silent.

“You will never confess it, and that is a fault in you.”

“She loved me, Amy.”

“Perhaps! as a schoolgirl loves. But you never loved her.”

“No.”

Amy examined his face as he spoke.

“Her image is very faint before me,” Jasper pursued, “and soon I shall scarcely be able to recall it. Yes, you are right; she nearly ruined me. And in more senses than one. Poverty and struggle, under such circumstances, would have made me a detestable creature. As it is, I am not such a bad fellow, Amy.”

She laughed, and caressed his cheek.

“No, I am far from a bad fellow. I feel kindly to everyone who deserves it. I like to be generous, in word and deed. Trust me, there’s many a man who would like to be generous, but is made despicably mean by necessity. What a true sentence that is of Landor’s: ‘It has been repeated often enough that vice leads to misery; will no man declare that misery leads to vice?’ I have much of the weakness that might become viciousness, but I am now far from the possibility of being vicious. Of course there are men, like Fadge, who seem only to grow meaner the more prosperous they are; but these are exceptions. Happiness is the nurse of virtue.”

“And independence the root of happiness.”

“True. ‘The glorious privilege of being independent’⁠—yes, Burns understood the matter. Go to the piano, dear, and play me something. If I don’t mind, I shall fall into Whelpdale’s vein, and talk about my ‘blessedness.’ Ha! isn’t the world a glorious place?”

“For rich people.”

“Yes, for rich people. How I pity the poor devils!⁠—Play anything. Better still if you will sing, my nightingale!”

So Amy first played and then sang, and Jasper lay back in dreamy bliss.

Colophon

New Grub Street
was published in 1891 by
George Gissing.

This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 1999 by
John Handford and David Widger
for
Project Gutenberg
and on digital scans available at the
Internet Archive.

The cover page is adapted from
Bessborough Street, Pimlico,
a painting completed in 1900 by
Ambrose McEvoy.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
August 28, 2021, 5:57 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/george-gissing/new-grub-street.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

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Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.

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