Short Fiction by Leo Tolstoy (book reader for pc TXT) 📕

the enemy’s fleet swaying on the crystal horizon of the sea, and at the salt bubbles dancing on the eddying wash made by the oars. You listen to the steady murmur of voices which reaches you across the water, and to the majestic sounds of the firing which, it seems to you, now grows stronger in Sevastopol.

Some feeling of courage or pride surely enters your soul, and the blood flows faster in your veins, at the thought that you, too, are in Sevastopol.

“Your honour, you’re steering straight into the Constantine,” says the old seaman, who has turned to see where you are steering.

“All her cannons are still on board,”26 says the boy, examining the ship as he rows past her.

“Well, of course; she’s a new ship. Kornílof himself lived on her,” remarks the old seaman, also looking at her.

“Look where it has burst!” says the boy, after a long silence, watching a small white cloud of spreading smoke, which has suddenly appeared high above the South Bay, accompanied by the sharp report of an exploding bomb.

“That’s him firing from the new battery today,” adds the old man calmly, spitting on his hand. “Now then, pull away, Míshka, we’ll get ahead of that longboat there.” And your skiff travels faster over the broad swells of the Roadstead, really overtakes the heavy longboat laden with sacks and rowed by clumsy sailors who do not keep stroke, and⁠—making its way among all sorts of boats moored there⁠—reaches the Gráfskaya landing.

On the quay, soldiers in grey, sailors in black, and women in many colours throng noisily. Women are selling rolls, peasants with samovars27 are calling “hot sbíten,”28 and here, on the very first steps, lie rusty cannonballs, bombs, grapeshot, and cast-iron cannons of various calibres. A little beyond is a large open space where huge beams, gun-carriages, and sleeping soldiers are lying; horses, carts, green cannons, ammunition-wagons, and stacked muskets are standing; soldiers, sailors, officers, women, children, and dealers are moving about, and here and there a Cossack and an officer ride along, or a general drives by in a trap. To the right the street is blocked by a barricade with small cannon mounted in embrasures, and near them sits a sailor smoking away at his pipe. To the left is a handsome building with a date in Roman figures on the frontal, and near it stand soldiers with bloodstained stretchers⁠—everywhere you see unpleasant indications of a war camp. Your first impressions are sure to be most unpleasant: the strange combination of camp and urban life, of a fine town and a dirty bivouac, is not only ugly, but looks like horrible disorder; it even seems to you that everyone is frightened and in commotion, not knowing what to do. But look closer into the faces of these people moving about you, and you will come to quite a different conclusion. Take, for instance, this convoy soldier going to water those three bay horses and muttering something to himself, and doing it all so quietly that it is evident he will not lose himself in this motley crowd (which does not even exist for him), but will fulfil his duty, whatever it may be⁠—watering a horse, or helping to drag cannon⁠—as calmly, confidently, and with as much equanimity as if it were all happening in Toúla or Saránsk. You will read the same in the face of that officer passing by in irreproachably white gloves; in the face of the sailor who sits smoking on the barricade; in the faces of the soldiers in the portico of what was once the Assembly Hall, and in the face of that young girl who, fearing to dirty her pink dress, jumps from stone to stone as she crosses the road.

Yes! disenchantment certainly awaits you if you are entering Sevastopol for the first time. You will look in vain, in any of the faces, for a trace of ardour, flurry, even enthusiasm, determination, or readiness for death⁠—there is nothing of the kind. What you do see are everyday people, quietly occupied with their everyday business; so that perhaps you may reproach yourself for having felt undue enthusiasm, and may begin to doubt the justice of the ideas you had formed of the heroism of the defenders of Sevastopol, ideas founded on tales, descriptions, and the sights and sounds that reached you on the North Side of the Roadstead. But before giving way to such doubts, go to the bastions and see the defenders of Sevastopol where they are defending it; or, better still, go straight into that building opposite, formerly the Sevastopol Assembly Rooms, in the portico of which the soldiers with stretchers are standing. There you will see the defenders of Sevastopol: you will see terrible, sad, solemn, and amusing, but astonishing and soul-elevating sights.

You enter the large Assembly Hall. At once, as soon as you open the door, the sight and smell of forty or fifty of the amputated and most severely wounded, some in beds but most on the floor, staggers you. Do not trust the feeling that detains you at the threshold; it is a bad feeling: go on; do not feel shame that you have come as if to look at the sufferers; do not hesitate to approach and speak to them. The unfortunate like to see a sympathetic human face, like to speak of their sufferings, and to hear words of love and pity. You pass between the rows of beds and look for some face less stern and full of suffering, that you can make up your mind to approach and speak to.

“Where are you wounded?” you hesitatingly and timidly ask an old and emaciated sailor, who, sitting up on his bed, is following you with kindly gaze as if inviting you to speak to him. I say “hesitatingly and timidly,” because suffering seems to inspire not only deep pity and dread of offending the sufferer, but