Resurrection by Leo Tolstoy (best sci fi novels of all time TXT) 📕

him at once at the windows of a first-class carriage. Two officers sat opposite each other on the velvet-covered seats, playing cards. This carriage was very brightly lit up; on the little table between the seats stood two thick, dripping candles. He sat in his close-fitting breeches on the arm of the seat, leaning against the back, and laughed. As soon as she recognised him she knocked at the carriage window with her benumbed hand, but at that moment the last bell rang, and the train first gave a backward jerk, and then gradually the carriages began to move forward. One of the players rose with the cards in his hand, and looked out. She knocked again, and pressed her face to the window, but the carriage moved on, and she went alongside looking in. The officer tried to lower the window, but could not. Nekhlúdoff pushed him aside and began lowering it himself. The train went faster, so that she had to walk quickly. The train went on still faster and the window opened. The guard pushed her aside, and jumped in. Katúsha ran on, along the wet boards of the platform, and when she came to the end she could hardly stop herself from falling as she ran down the steps of the platform. She was running by the side of the railway, though the first-class carriage had long passed her, and the second-class carriages were gliding by faster, and at last the third-class carriages still faster. But she ran on, and when the last carriage with the lamps at the back had gone by, she had already reached the tank which fed the engines, and was unsheltered from the wind, which was blowing her shawl about and making her skirt cling round her legs. The shawl flew off her head, but still she ran on.

“Katerína Mikháelovna, you’ve lost your shawl!” screamed the little girl, who was trying to keep up with her.

Katúsha stopped, threw back her head, and catching hold of it with both hands sobbed aloud. “Gone!” she screamed.

“He is sitting in a velvet armchair and joking and drinking, in a brightly lit carriage, and I, out here in the mud, in the darkness, in the wind and the rain, am standing and weeping,” she thought to herself; and sat down on the ground, sobbing so loud that the little girl got frightened, and put her arms round her, wet as she was.

“Come home, dear,” she said.

“When a train passes⁠—then under a carriage, and there will be an end,” Katúsha was thinking, without heeding the girl.

And she made up her mind to do it, when, as it always happens, when a moment of quiet follows great excitement, he, the child⁠—his child⁠—within her, suddenly shuddered, gave a push, slowly stretched himself, and again pushed with something thin, delicate and sharp. Suddenly all that a moment before had been tormenting her, so that it had seemed impossible to live, all her bitterness towards him, and the wish to revenge herself, even by dying, passed away; she grew quieter, got up, put the shawl on her head, and went home.

Wet, muddy, and quite exhausted, she returned, and from that day the change which brought her where she now was began to operate in her soul. Beginning from that dreadful night, she ceased believing in God and in goodness. She had herself believed in God, and believed that other people also believed in Him; but after that night she became convinced that no one believed, and that all that was said about God and His laws was deception and untruth. He whom she loved, and who had loved her⁠—yes, she knew that⁠—had thrown her away; had abused her love. Yet he was the best of all the people she knew. All the rest were still worse. All that afterwards happened to her strengthened her in this belief at every step. His aunts, the pious old ladies, turned her out when she could no longer serve them as she used to. And of all those she met, the women used her as a means of getting money, the men, from the old police officer down to the warders of the prison, looked at her as on an object for pleasure. And no one in the world cared for aught but pleasure. In this belief the old author with whom she had come together in the second year of her life of independence had strengthened her. He had told her outright that it was this that constituted the happiness of life, and he called it poetical and aesthetic.

Everybody lived for himself only, for his pleasure, and all the talk concerning God and righteousness was deception. And if sometimes doubts arose in her mind and she wondered why everything was so ill-arranged in the world that all hurt each other, and made each other suffer, she thought it best not to dwell on it, and if she felt melancholy she could smoke, or, better still, drink, and it would pass.

XXXVIII

On Sunday morning at five o’clock, when a whistle sounded in the corridor of the women’s ward of the prison, Korabléva, who was already awake, called Máslova.

“Oh, dear! life again,” thought Máslova, with horror, involuntarily breathing in the air that had become terribly noisome towards the morning. She wished to fall asleep again, to enter into the region of oblivion, but the habit of fear overcame sleepiness, and she sat up and looked round, drawing her feet under her. The women had all got up; only the elder children were still asleep. The spirit-trader was carefully drawing a cloak from under the children, so as not to wake them. The watchman’s wife was hanging up the rags to dry that served the baby as swaddling clothes, while the baby was screaming desperately in the arms of Theodosia, who was trying to quiet it. The consumptive woman was coughing with her hands pressed to her chest, while the blood rushed to