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now by clouds carried by the warm chinook wind that is blowing.

“Want to get in town before rush,” the tall Indian grunts.

“Red brothers want be well up in line,” the little Indian grunts anxiously.

“Nobody work in factory now,” the tall Indian grunted.

“Better hurry.”

The warm wind blows. Inside the Indians strange longings were stirring. They knew what they wanted. Spring at last was coming to the frozen little Northern town. The two Indians hurried along the track.

Author’s Final Note to the Reader

Well, reader, how did you like it? It took me ten days to write it. Has it been worth it? There is just one place I would like to clear up. You remember back in the story where the elderly waitress, Diana, tells about how she lost her mother in Paris, and woke up to find herself with a French general in the next room? I thought perhaps you might be interested to know the real explanation of that. What actually happened was that her mother was taken violently ill with the bubonic plague in the night, and the doctor who was called diagnosed the case and warned the authorities. It was the day the great exposition was to be opened, and think what a case of bubonic plague would have done for the exposition as publicity. So the French authorities simply had the woman disappear. She died toward morning. The general who was summoned and who then got into bed in the same room where the mother had been, always seemed to us like a pretty brave man. He was one of the big stockholders in the exposition, though, I believe. Anyway, reader, as a piece of secret history it always seemed to me like an awfully good story, and I know you would rather have me explain it here than drag an explanation into the novel, where really, after all, it has no place. It is interesting to observe, though, how the French police hushed the whole matter up, and how quickly they got ahold of the coiffeur and the cabdriver. Of course, what it shows is that when you’re travelling abroad alone, or even with your mother, you simply cannot be too careful. I hope it is all right about bringing this in here, but I just felt I owed it to you, reader, to give some explanation. I do not believe in these protracted goodbyes any more than I do in long engagements, so I will just say a simple farewell and Godspeed, reader, and leave you now to your own devices.

Colophon

Short Fiction
was compiled from short stories and novellas published between 1922 and 1926 by
Ernest Hemingway.

This ebook was produced for
Standard Ebooks
by
Matic Likar,
and is based on transcriptions produced between 2019 and 2021 by
An Anonymous Volunteer
for
Project Gutenberg,
Wikisource,
and
Al Haines, Jen Haines, and The Online Distributed Proofreaders Canada Team
for
Faded Page Canada
and on digital scans available at the
Internet Archive
and Google Books.

The cover page is adapted from
Bullfight in a Divided Ring,
by
Francisco Goya.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
January 1, 2022, 10:44 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/ernest-hemingway/short-fiction.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.

Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.

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