Crime and Punishment by Fyodor Dostoevsky (love novels in english TXT) 📕

order. She was a particularly quarrelsome and irresponsible German.

“Ah, my God!” she cried, clasping her hands, “your husband drunken horses have trampled! To the hospital with him! I am the landlady!”

“Amalia Ludwigovna, I beg you to recollect what you are saying,” Katerina Ivanovna began haughtily (she always took a haughty tone with the landlady that she might “remember her place” and even now could not deny herself this satisfaction). “Amalia Ludwigovna⁠ ⁠…”

“I have you once before told that you to call me Amalia Ludwigovna may not dare; I am Amalia Ivanovna.”

“You are not Amalia Ivanovna, but Amalia Ludwigovna, and as I am not one of your despicable flatterers like Mr. Lebeziatnikov, who’s laughing behind the door at this moment” (a laugh and a cry of “they are at it again” was in fact audible at the door) “so I shall always call you Amalia Ludwigovna, though I fail to understand why you dislike that name. You can see for yourself what has happened to Semyon Zaharovitch; he is dying. I beg you to close that door at once and to admit no one. Let him at least die in peace! Or I warn you the Governor-General, himself, shall be informed of your conduct tomorrow. The prince knew me as a girl; he remembers Semyon Zaharovitch well and has often been a benefactor to him. Everyone knows that Semyon Zaharovitch had many friends and protectors, whom he abandoned himself from an honourable pride, knowing his unhappy weakness, but now (she pointed to Raskolnikov) a generous young man has come to our assistance, who has wealth and connections and whom Semyon Zaharovitch has known from a child. You may rest assured, Amalia Ludwigovna⁠ ⁠…”

All this was uttered with extreme rapidity, getting quicker and quicker, but a cough suddenly cut short Katerina Ivanovna’s eloquence. At that instant the dying man recovered consciousness and uttered a groan; she ran to him. The injured man opened his eyes and without recognition or understanding gazed at Raskolnikov who was bending over him. He drew deep, slow, painful breaths; blood oozed at the corners of his mouth and drops of perspiration came out on his forehead. Not recognising Raskolnikov, he began looking round uneasily. Katerina Ivanovna looked at him with a sad but stern face, and tears trickled from her eyes.

“My God! His whole chest is crushed! How he is bleeding,” she said in despair. “We must take off his clothes. Turn a little, Semyon Zaharovitch, if you can,” she cried to him.

Marmeladov recognised her.

“A priest,” he articulated huskily.

Katerina Ivanovna walked to the window, laid her head against the window frame and exclaimed in despair:

“Oh, cursed life!”

“A priest,” the dying man said again after a moment’s silence.

“They’ve gone for him,” Katerina Ivanovna shouted to him, he obeyed her shout and was silent. With sad and timid eyes he looked for her; she returned and stood by his pillow. He seemed a little easier but not for long.

Soon his eyes rested on little Lida, his favourite, who was shaking in the corner, as though she were in a fit, and staring at him with her wondering childish eyes.

“A-ah,” he signed towards her uneasily. He wanted to say something.

“What now?” cried Katerina Ivanovna.

“Barefoot, barefoot!” he muttered, indicating with frenzied eyes the child’s bare feet.

“Be silent,” Katerina Ivanovna cried irritably, “you know why she is barefooted.”

“Thank God, the doctor,” exclaimed Raskolnikov, relieved.

The doctor came in, a precise little old man, a German, looking about him mistrustfully; he went up to the sick man, took his pulse, carefully felt his head and with the help of Katerina Ivanovna he unbuttoned the bloodstained shirt, and bared the injured man’s chest. It was gashed, crushed and fractured, several ribs on the right side were broken. On the left side, just over the heart, was a large, sinister-looking yellowish-black bruise⁠—a cruel kick from the horse’s hoof. The doctor frowned. The policeman told him that he was caught in the wheel and turned round with it for thirty yards on the road.

“It’s wonderful that he has recovered consciousness,” the doctor whispered softly to Raskolnikov.

“What do you think of him?” he asked.

“He will die immediately.”

“Is there really no hope?”

“Not the faintest! He is at the last gasp.⁠ ⁠… His head is badly injured, too⁠ ⁠… Hm⁠ ⁠… I could bleed him if you like, but⁠ ⁠… it would be useless. He is bound to die within the next five or ten minutes.”

“Better bleed him then.”

“If you like.⁠ ⁠… But I warn you it will be perfectly useless.”

At that moment other steps were heard; the crowd in the passage parted, and the priest, a little, grey old man, appeared in the doorway bearing the sacrament. A policeman had gone for him at the time of the accident. The doctor changed places with him, exchanging glances with him. Raskolnikov begged the doctor to remain a little while. He shrugged his shoulders and remained.

All stepped back. The confession was soon over. The dying man probably understood little; he could only utter indistinct broken sounds. Katerina Ivanovna took little Lida, lifted the boy from the chair, knelt down in the corner by the stove and made the children kneel in front of her. The little girl was still trembling; but the boy, kneeling on his little bare knees, lifted his hand rhythmically, crossing himself with precision and bowed down, touching the floor with his forehead, which seemed to afford him especial satisfaction. Katerina Ivanovna bit her lips and held back her tears; she prayed, too, now and then pulling straight the boy’s shirt, and managed to cover the girl’s bare shoulders with a kerchief, which she took from the chest without rising from her knees or ceasing to pray. Meanwhile the door from the inner rooms was opened inquisitively again. In the passage the crowd of spectators from all the flats on the staircase grew denser and denser, but they did not venture beyond the threshold. A single candle-end lighted up the scene.

At that moment Polenka forced her way through the crowd at the door. She came in