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top, nearly effaced.’ Right ho! let’s have a look!”

He came over, stared hard, and straightened up with an exclamation. “You must have mesmerized me into seeing that before. It’s certainly not there now, and the light is excellent. What do you make of it?”

“What we don’t know won’t hurt us,” said Jarrad with a slow shake of the head. “Initial this erasure, will you. What’s next?”

Dawkins looked troubled, and a little anxious. “But I say⁠—”

“I began just the way you’re going on now, but I got over it. I suggest that so far as this room is concerned we just count the books and articles of furniture, pass on their general condition, and call the thing a go. Your clients are not the kind who give me any worry.”

Dawkins nodded and began the recital, reading from the book in a rapid and level singsong as though he were chanting the creed of his profession.

“General condition excellent,” he concluded, and shut the book.

Mr. Jarrad shook his head. “I can’t agree to that now. The maintenance is not what it was. Quite obvious that the housemaid is untrained or lazy; possibly both. Look at this mantel.”

He drew a finger across the top of the mantel behind the clock, and left a faint trail where the dust had been displaced.

“Couldn’t do that the last time we were here. No, the upkeep is not as good. Condition fair, I should say, at the most. See for yourself.”

Dawkins sniffed and investigated. “Perhaps you’re right. I suppose my client is a little short of help. All right, ‘condition fair.’ Anything else?”

Mr. Jarrad glanced at the hearth. “Yes, one thing. One fireplace tile split. You have no note of that, I think, and it’s the only real damage we’ve seen.”

“No, I’ve nothing here. Let me see it.”

He was bending over the hearth when Derrick came in. Jarrad made his well-known bow.

“We have just completed this room, sir, and the only real dilapidation we find is in this hearth. It’s a small matter, but nothing is too small for us to note. Perhaps you may remember when it happened, as it’s evidently quite recent.”

Derrick stared at the cracked tile.

“Yes,” he said slowly, “I remember that very distinctly.”

Colophon

The Jade God
was published in 1925 by
Alan Sullivan.

This ebook was produced for
Standard Ebooks
by
Lukas Bystricky,
and is based on a transcription produced in 2021 by
Al Haines, Cindy Beyer, and The Online Distributed Proofreaders Canada team
for
Project Gutenberg
and on digital scans available at the
HathiTrust Digital Library.

The cover page is adapted from
The Girl by the Window,
a painting completed in 1893 by
Edvard Munch.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
October 10, 2021, 11:53 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/alan-sullivan/the-jade-god.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

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Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.

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