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by the moon
Sidonian virgins paid their vows and songs.”

“Now haste ye, my handmaidens, haste and see
How he sits there and glowers with his head on his knee.”

This extraordinary and negative way of showing intense respect is by no means unknown among African people, and the result is that if, as is usual, the name in question has a significance, the meaning must be expressed by an idiom or other word. In this way a memory is preserved for generations, or until the new word utterly supplants the old. ↩

It often puzzled all of us to understand how it was possible that Ignosi’s mother, bearing the child with her, should have survived the dangers of her journey across the mountains and the desert, dangers which so nearly proved fatal to ourselves. It has since occurred to me, and I give the idea to the reader for what it is worth, that she must have taken this second route, and wandered out like Hagar into the wilderness. If she did so, there is no longer anything inexplicable about the story, since, as Ignosi himself related, she may well have been picked up by some ostrich hunters before she or the child was exhausted, was led by them to the oasis, and thence by stages to the fertile country, and so on by slow degrees southwards to Zululand. —⁠A. Q. ↩

List of Illustrations

A map showing a trail across the Kalukawe River and Sheba’s Breasts, into the mouth of Treasure Cave.

Colophon

King Solomon’s Mines
was published in 1885 by
H. Rider Haggard.

This ebook was produced for
Standard Ebooks
by
Gustavo De Micheli,
and is based on a transcription produced in 2000 by
John Bickers, Dagny, and Al Haines
for
Project Gutenberg
and on digital scans available at the
HathiTrust Digital Library.

The cover page is adapted from
The Snake Charmer,
a painting completed in 1907 by
Henri Rousseau.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
April 26, 2018, 5:44 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/h-rider-haggard/king-solomons-mines.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.

Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.

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