No Name by Wilkie Collins (good books for 7th graders TXT) 📕

and disfigurement of the disguise, the fierce despair of that strong and passionate nature lowered, haggard and horrible. Norah made an object of public curiosity and amusement; Norah reprimanded in the open street; Norah, the hired victim of an old woman’s insolence and a child’s ill-temper, and the same man to thank for it who had sent Frank to China!⁠—and that man’s son to thank after him! The thought of her sister, which had turned her from the scene of her meditated deception, which had made the consciousness of her own disguise hateful to her, was now the thought which sanctioned that means, or any means, to compass her end; the thought which set wings to her feet, and hurried her back nearer and nearer to the fatal house.

She left the Park again, and found herself in the streets without knowing where. Once more she hailed the first cab that passed her, and told the man to drive to Vauxhall Walk.

The change from walking to riding quieted her. She felt her attention returning to herself and her dress. The necessity of making sure that no accident had happened to her disguise in the interval since she had left her own room impressed itself immediately on her mind. She stopped the driver at the first pastry-cook’s shop which he passed, and there obtained the means of consulting a looking-glass before she ventured back to Vauxhall Walk.

Her gray headdress was disordered, and the old-fashioned bonnet was a little on one side. Nothing else had suffered. She set right the few defects in her costume, and returned to the cab. It was half-past one when she approached the house and knocked, for the second time, at Noel Vanstone’s door. The woman-servant opened it as before.

“Has Mrs. Lecount come back?”

“Yes, ma’am. Step this way, if you please.”

The servant preceded Magdalen along an empty passage, and, leading her past an uncarpeted staircase, opened the door of a room at the back of the house. The room was lighted by one window looking out on a yard; the walls were bare; the boarded floor was uncovered. Two bedroom chairs stood against the wall, and a kitchen-table was placed under the window. On the table stood a glass tank filled with water, and ornamented in the middle by a miniature pyramid of rock-work interlaced with weeds. Snails clung to the sides of the tank; tadpoles and tiny fish swam swiftly in the green water, slippery efts and slimy frogs twined their noiseless way in and out of the weedy rock-work; and on top of the pyramid there sat solitary, cold as the stone, brown as the stone, motionless as the stone, a little bright-eyed toad. The art of keeping fish and reptiles as domestic pets had not at that time been popularized in England; and Magdalen, on entering the room, started back, in irrepressible astonishment and disgust, from the first specimen of an aquarium that she had ever seen.

“Don’t be alarmed,” said a woman’s voice behind her. “My pets hurt nobody.”

Magdalen turned, and confronted Mrs. Lecount. She had expected⁠—founding her anticipations on the letter which the housekeeper had written to her⁠—to see a hard, wily, ill-favored, insolent old woman. She found herself in the presence of a lady of mild, ingratiating manners, whose dress was the perfection of neatness, taste, and matronly simplicity, whose personal appearance was little less than a triumph of physical resistance to the deteriorating influence of time. If Mrs. Lecount had struck some fifteen or sixteen years off her real age, and had asserted herself to be eight-and-thirty, there would not have been one man in a thousand, or one woman in a hundred, who would have hesitated to believe her. Her dark hair was just turning to gray, and no more. It was plainly parted under a spotless lace cap, sparingly ornamented with mourning ribbons. Not a wrinkle appeared on her smooth white forehead, or her plump white cheeks. Her double chin was dimpled, and her teeth were marvels of whiteness and regularity. Her lips might have been critically considered as too thin, if they had not been accustomed to make the best of their defects by means of a pleading and persuasive smile. Her large black eyes might have looked fierce if they had been set in the face of another woman, they were mild and melting in the face of Mrs. Lecount; they were tenderly interested in everything she looked at⁠—in Magdalen, in the toad on the rock-work, in the backyard view from the window; in her own plump fair hands⁠—which she rubbed softly one over the other while she spoke; in her own pretty cambric chemisette, which she had a habit of looking at complacently while she listened to others. The elegant black gown in which she mourned the memory of Michael Vanstone was not a mere dress⁠—it was a well-made compliment paid to Death. Her innocent white muslin apron was a little domestic poem in itself. Her jet earrings were so modest in their pretensions that a Quaker might have looked at them and committed no sin. The comely plumpness of her face was matched by the comely plumpness of her figure; it glided smoothly over the ground; it flowed in sedate undulations when she walked. There are not many men who could have observed Mrs. Lecount entirely from the Platonic point of view⁠—lads in their teens would have found her irresistible⁠—women only could have hardened their hearts against her, and mercilessly forced their way inward through that fair and smiling surface. Magdalen’s first glance at this Venus of the autumn period of female life more than satisfied her that she had done well to feel her ground in disguise before she ventured on matching herself against Mrs. Lecount.

“Have I the pleasure of addressing the lady who called this morning?” inquired the housekeeper. “Am I speaking to Miss Garth?”

Something in the expression of her eyes, as she asked that question, warned Magdalen to turn her face further inward from the window than she had