Artists' Wives by Alphonse Daudet (books to read to improve english txt) 📕
- Author: Alphonse Daudet
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In short, this severe widowhood ended in a marriage; but the widow did not abdicate, and remained—although married—more than ever the widow of a great man; well knowing that herein lay, in the eyes of her second husband, her real prestige. As she felt herself much older than he, to prevent his perceiving it, she overwhelmed him with her disdain, with a kind of vague pity, and unexpressed and offensive regret at her condescending marriage. However, he was not wounded by it, quite the contrary. He was so convinced of his inferiority and thought it so natural that the memory of such a man should reign despotically in her heart! In order the better to maintain in him this humble attitude, she would at times read over with him the letters the great man had written to her when he was courting her. This return towards the past rejuvenated her some fifteen years, lent her the assurance of a handsome and beloved woman, seen through all the wild love and delightful exaggeration of written passion. That she had since then changed her young husband cared little, loving her on the faith of another, and drawing therefrom I know not what strange kind of vanity. It seemed to him that these passionate appeals added to his own, and that he inherited a whole past of love.
A strange couple indeed! It was in society, however, that they presented the most curious spectacle. I sometimes caught sight of them at the theatre. No one would have recognized the timid and shy young woman, who formerly accompanied the maestro, lost in the gigantic shadow he cast around him. Now, seated upright in the front of the box, she displayed herself, attracting all eyes by the pride of her own glance. It might be said that her head was surrounded by her first husband's halo of glory, his name re-echoing around her like a homage or a reproach. The other one, seated a little behind her, with the subservient physiognomy of one ready for every abnegation in life, watched each of her movements, ready to attend to her slightest wish.
At home, the peculiarity of their attitude was still more noticeable. I remember a certain evening party they gave a year after their marriage. The husband moved about among the crowd of guests, proud but rather embarrassed at gathering together so many in his own house. The wife, disdainful, melancholy, and very superior, was on that evening more than ever the widow of a great man! She had a peculiar way of glancing at her husband from over her shoulder, of calling him "my poor dear friend," of casting on him all the wearisome drudgery of the reception, with an air of saying: "You are only fit for that." Around her gathered a circle of former friends, those who had been spectators of the brilliant debuts of the great man, of his struggles, and his success. She simpered to them; played the young girl! They had known her so young! Nearly all of them called her by her Christian name, "Anaïs." They formed a kind of conaculum, which the poor husband respectfully approached, to hear his predecessor spoken of. They recalled the glorious first nights, those evenings on which nearly every battle was won, and the great man's manias, his way of working; how, in order to summon up inspiration, he insisted on his wife being by his side, decked out in full ball dress. "Do you remember, Anaïs?" And Anaïs sighed and blushed.
It was at that time that he had written his most tender pieces, above all Savonarole, the most passionate of his creations, with a grand duet, interwoven with rays of moonshine, the perfume of roses and the warbling of nightingales. An enthusiast sat down and played it on the piano, amid a silence of attentive emotion. At the last note of the magnificent piece, the lady burst into tears. "I cannot help it," she said, "I have never been able to hear it without weeping." The great man's old friends surrounded his unhappy widow with sympathetic expressions, coming up to her one by one, like at a funereal ceremony, to give a thrilling clasp to her hand. "Come, come, Anaïs, be courageous." And the drollest thing was to see the second husband, standing by the side of his wife, deeply touched and affected, shaking hands all round, and accepting, he too, his share of sympathy. "What genius! what genius!" he repeated as he mopped his eyes. It was at the same time ridiculous and affecting.
THE DECEIVER.
I have loved but one woman in my life, the painter D——— said one day to us.
I spent five years of perfect happiness and peaceful and fruitful tranquillity with her. I may say that to her I owe my present celebrity, so easy was work, and so spontaneous was inspiration by her side. Even when I first met her, she seemed to have been mine from time immemorial. Her beauty, her character were the realization of all my dreams. That woman never left me; she died in my house, in my arms, loving to the last. Well, when I think of her, it is with a feeling of rage. If I strive to recall her, the same as I ever saw her during those five years, in all the radiance of love, with her lithe yielding figure, the gilded pallor of her cheeks, her oriental Jewish features, regular and delicate in the soft roundness of her face, her slow speech as velvety as her glance, if I seek to embody that charming vision, it is only in order the more fiercely to cry to it: "I hate you!"
Her name was Clotilde. At the house of the mutual acquaintances where we met, she was known under the name of Madame Deloche, and was said to be the widow of a captain in the merchant service. Indeed, she appeared to have travelled a great deal. In the course of conversation, she would suddenly say: When I was at Tampico; or else: once in the harbour at Valparaiso. But apart from this, there was no trace in her manners or language of a wandering existence, nothing betrayed the disorder or precipitation of sudden departures or abrupt returns. She was a thorough Parisian, dressed in perfect good taste, without any of those bur-nooses or eccentric sarapés by which one recognizes the wives of officers and sailors who are always arrayed in travelling costume.
When I found that I loved her, my first, my only idea was to ask her in marriage. Someone spoke on my behalf. She simply replied that she would never marry again. Henceforth I avoided meeting her; and as my thoughts were too wholly absorbed and occupied by her to allow me to work, I determined to travel. I was busily engaged in preparations for my departure, when one morning, in my own apartment, in the midst of all the litter of opened drawers and scattered trunks, to my great surprise, I saw Madame Deloche enter.
"Why are you leaving?" she said softly. "Because you love me? I also love. I love you. Only (and here her voice shook a little) only, I am married." And she told me her history.
It was a romance of love and desertion. Her husband drank, struck her! At the end of three years they had separated Her family, of whom she seemed very proud, held a high position in Paris, but ever since her marriage had refused to receive her. She was the niece of the Chief Rabbi. Her sister, the widow of a superior officer, had married for the second time a Chief Ranger of the woods and forests of Saint-Germain. As for her, ruined by her husband, she had fortunately had a very thorough education and possessed some accomplishments, by which she was able to augment her resources. She gave music lessons in various rich houses of the Chaussée d'Antin and Faubourg Saint Honoré, and gained an ample livelihood.
The story was touching, although somewhat lengthy, full of the pretty repetitions, the interminable incidents that entangle feminine discourse.
Indeed she took several days to relate it. I had hired for us two, a little house in the Avenue de l'Impératrice, standing between the silent streets and peaceful lawns. I could have spent a year listening to and looking at her, without a thought for my work. She was the first to send me back to my studio, and I could not prevent her from again taking up her lessons. I was touched by her concern for the dignity of her life. I admired the proud spirit, notwithstanding that I could not help being rather humiliated at her expressed determination to owe nothing save to her own exertions. We were therefore separated all day long, and only met in the evening in our little house.
With what joy did I not return home, what impatience I felt when she was late, and how happy I was when I found her there before me! She would bring me back bouquets and choice flowers from her journeys to Paris. Often I pressed upon her some present, but she laughingly said she was richer than I; and in truth her lessons must have been very well paid, for she always dressed in an expensively elegant manner, and the black dresses which, with coquettish care for her complexion and style of beauty she preferred, had the dull softness of velvet, the brilliancy of satin and jet, a confusion of silken lace, which revealed to the astonished eye, under an apparent simplicity, a world of feminine elegance in the thousand shades contained in a single colour.
Moreover her occupation was by no means laborious, she said. All her pupils, daughters of bankers or stock brokers, loved and respected her; and many a time she would show me a bracelet or a ring, that had been presented as a mark of gratitude for her care. Except for our work, we never left one another, and we went nowhere. Only on Sundays she went off to Saint-Germain to see her sister, the wife of the Chief Ranger, with whom she was now reconciled. I would accompany her to the station. She would return the same evening, and often in the long summer days, we would agree to meet at some station on the way, by the riverside or in the woods. She would tell me about her visit, the children's good looks, the air of happiness that reigned in the household. My heart bled for her, deprived of the pleasures of family life as she was doomed to be; and my tenderness increased tenfold in order to make her forget the falseness of her position, so painful to a woman of her character.
What a happy time of perfect confidence, and how well I worked! I suspected nothing. All she said seemed so true, so natural. I could only reproach her with one thing. When talking of the houses she frequented, and the different families of her pupils, she would indulge in a superabundance of imaginary details and fancied intrigues, which she invented without any apropos.
Calm herself, she was ever conjuring up romances around her, and her life was spent in composing dramatic situations. These idle fancies disturbed my happiness. I, who longed to leave the world and society, in order to devote myself exclusively to her, found her too much taken up by indifferent subjects. However, I could easily excuse this defect in a young and unhappy woman, whose life had been hitherto a sad romance, the issue of which could not be foreseen.
Once only did a suspicion or rather a
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