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once, the most popular book of its day, perhaps, indeed, the most popular book ever published in England. Soon after the appearance of its first chapters, Dickens married Miss Catherine Hogarth, daughter of the editor of one of the London newspapers, who had helped him in his career.

Many have tried to explain the marvelous popularity of Pickwick Papers. Certainly its honest fun, its merriment, its quaintness, good humor and charity appealed to every reader. More than all, it made people acquainted with a new company of characters, none of whom had ever existed, or could ever exist, and yet whose manners and appearance were pictured so really that they seemed to be actual persons whom one might meet and laugh with anywhere.

With such a success, and the money it brought him, Dickens had leisure to begin the wonderful series of stories which endeared him to the whole English-speaking world, and made him the most famous author of his day. Oliver Twist came first, and it was followed by Nicholas Nickleby and The Old Curiosity Shop.

In the first two of these stories one may see most clearly the principle that underlay almost all of Dickens's work. He was never content merely to tell an interesting story. He wrote with a purpose. In Oliver Twist that purpose was, first, to better the poorhouse system, and second, to show that even in the lowest and wickedest paths of life (the life wherein lived Fagin with his pupils in crime and Bill Sikes the brutal burglar) there could yet be found, as in the case of poor Nancy, real kindness and sacrifice. In Nicholas Nickleby the purpose was to show what terrible wrongs were done to children in country schools, numbers of which at that time were managed by men almost as cruel and inhuman as was Squeers in the story. It is good to learn that, as a result of this novel, an end was made of many such boys' schools. True artist as he was, Dickens seldom wrote without having in his mind the thought of showing some defect in the law, or some wrong condition of affairs which might be righted. No one could read Pickwick Papers or Little Dorrit without realizing how much wrong and misery was caused by the law which made it possible to throw a man into prison for debt. Nor can one read Bleak House without seeing that the legal system which robbed quaint Miss Flite of her mind and kept poor Richard Carstone from his fortune till the fortune itself had disappeared, was a very wrong legal system indeed. Often, too, Dickens's stories are, in a sense, sermons against very human sins. In The Old Curiosity Shop it is the sin of gambling which brings about the death of Little Nell. In Great Expectations it is the sin of pride which Pip has to fight. In Martin Chuzzlewit the evil and folly of selfishness is what Dickens had in mind.

With his increasing wealth, Dickens had, of course, changed his manner of life. He lived part of the time in the country near London, in Brighton, in Dover, and in France and Italy. He liked best, however, a little English watering place called Broadstairs—a tiny fishing village, built on a cliff, with the sea rolling and dashing beneath it. In such a place he felt that he could write best, but he greatly missed his London friends. He used to say that being without them was "like losing his arms and legs."

The first great grief of his life came to him at this time, in the death of his wife's sister, Mary Hogarth, a gentle, lovable girl of seventeen. No sorrow ever touched him as this did. "After she died," he wrote years afterward, "I dreamed of her every night for many weeks, and always with a kind of quiet happiness, so that I never lay down at night without a hope of the vision coming back." Hers was the character he drew in Little Nell in The Old Curiosity Shop. When he came to the part of the story which tells of Little Nell's death, he could scarcely write the chapter. When he ended it he said, "It seems as though dear Mary died but yesterday."

When he was less than thirty, Dickens was invited to visit Scotland, and there he received his first great national tribute. A public banquet was given him in Edinburgh, and he was much sought after and entertained. Up to this time he had never seen the United States; he decided now to visit this country and meet his American readers face to face.

He landed at Boston accompanied by his wife, in 1842, and visited many of the greater cities of the Eastern states. Everywhere he was counted the guest of the nation, and the four months of his stay were one continual welcome. Unfortunately, however, Dickens had taken a dislike to American ways, and this dislike appeared in many things he wrote after his return to England. The pictures he drew of American life in Martin Chuzzlewit were both unjust and untrue, and made him for a time lose a large part of the good opinion which American readers had had for him. Dickens soon came to regret the writing of these chapters, and when, twenty-five years later, he visited the United States a second time, he did all in his power to show his kindly feeling, and America admired and loved him so much that it gradually forgot the incident in the great pleasure with which it read his stories.

Dickens was a very active man, and his life was simple and full of work and exercise. He rose early and almost every day might have been seen tramping for miles along the country roads, or riding horseback with his dogs racing after him. He liked best to wander along the cliffs or across the downs by the sea. When he was in London he often walked the streets half the night, thinking out his stories, or searching for the odd characters which he put in them. This natural activity and restlessness even led him sometimes to make political speeches, and finally to the establishment of a new London newspaper—the Daily News—of which he was the first editor. Before this, he had started a weekly journal, in which several of his stories had appeared, but it had not been very successful. It was not long before he withdrew also from this second venture.

In the meantime he had met with both joy and sorrow. Several children had been born to him. His much loved sister, his father, and his own little daughter, the youngest of his family, had died. These sorrows made him throw himself into his work with greater earnestness. He even found leisure to organize a theatrical company (in which he himself acted with a number of other famous writers of the time), which gave several plays for the benefit of charity. One of these was performed before Queen Victoria.

People have often wondered how Dickens found time to accomplish so many different things. One of the secrets of this, no doubt, was his love of order. He was the most systematic of men. Everything he did "went like clockwork," and he prided himself on his punctuality. He could not work in a room unless everything in it was in its proper place. As a consequence of this habit of regularity, he never wasted time.

The work of editorship was very pleasant to Dickens, and scarcely three years after his leaving the Daily News he began the publication of a new magazine which he called Household Words. His aim was to make it cheerful, useful and at the same time cheap, so that the poor could afford to buy it as well as the rich. His own story, Hard Times, first appeared in this, with the earliest work of more than one writer who later became celebrated. Dickens loved to encourage young writers, and would just as quickly accept a good story or poem from an unknown author as from the most famous.

It was while engaged in this work that Dickens wrote the best one of all his tales—David Copperfield, the one which is in so large a part the history of his own early life.

This book brought Dickens to the height of his career. He was now both famous and rich. He bought a house on Gad's Hill—a place near Chatham, where he had spent the happiest part of his childhood—and settled down to a life of comfort and labor. When he was a little boy his father had pointed out this fine house to him, and told him he might even come to live there some day, if he were very persevering and worked hard. And so, indeed, it had proved.

Perhaps it is in connection with this house on Gad's Hill that the world oftenest remembers Dickens now. Everyone, old and young throughout the neighborhood, liked him. Children, dogs and horses were his friends. His hand was open for charity, and he was always the champion of the poor, the helpless and the outcast. Everyone, he thought, had some good in him, and in all he met he was on the lookout to find it. The great purpose underneath all his writings was after all to teach that every man and woman, however degraded, has his or her better side. So earnest was he in this that he was not pleased at all when a person praised one of his stories, unless the other showed that he had grasped the lesson that lay beneath it. The text of Dickens's whole life and work is best expressed in his own words: "I hope to do some solid good, and I mean to be as cheery and pleasant as I can." The wrongs and sufferings of the young especially appealed to him, and perhaps the most beautiful speech he ever made was one asking for money for the support of the London Hospital for Sick Children. He spoke often in behalf of workingmen, and once he spoke for the benefit of a company of poor actors, when, unknown to him, a little child of his own was lying dead at home.

With such a tender heart for all the world, he was more than an affectionate father to his own children, and gave much thought to their happiness and education. In order that they should properly learn of their own country, he went to the labor of preparing a Child's History of England for them, and at another time he wrote out the story of the Gospels, to help them in their study of the New Testament. As the years went by, his letters to his oldest son told of his own work and plans. When his youngest son sailed away to live in Australia, he wrote: "Poor Plorn is gone. It was a hard parting at the last. He seemed to me to become once more my youngest and favorite child as the day drew near, and I did not think I could have been so shaken."

When he moved to Gad's Hill it seemed as though Dickens had gained almost all of the things men strive most for. But he was not to be happy there—nor, perhaps, was he ever again to be really happy anywhere. He and his wife were very different in all their tastes and habits, and had never loved each other as well as people should when they marry. Perhaps, after all, it would have been better if in his youth he had married his Dora—the one whom he had pictured in the love-story of David Copperfield and his child-wife. But, however this may be, Dickens and his wife had not lived happily together, and

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