Elegy by Charles Beaumont (my reading book .txt) 📕
- Author: Charles Beaumont
- Performer: -
Book online «Elegy by Charles Beaumont (my reading book .txt) 📕». Author Charles Beaumont
"Mr. Greypoole," Webber said, "I think that you know more than you're saying. You didn't seem very surprised when you learned we weren't the men you expected; you don't seem very surprised now that I tell you that your 'Happy Glades' and all the people connected with it have been dead for ages. So, why the display of interest in our explanations, why—"
The faint murmur, "A good machine checks and double checks," could be heard from Mr. Greypoole, who otherwise said nothing.
"I speak for my men: we're confused, terribly confused. But whatever this is, we're stuck, can't you see? All we want is a place to begin again—" Captain Webber paused, looked at the others and went on in a softer tone. "We're tired men, Mr. Greypoole; we're poorly equipped, but we do have weapons and if this is some hypnotic kind of trap...."
The little man waved his hand, offendedly.
"There are lakes and farms and all we need to make a new start—more than we'd hoped for, much more."
"What had you hoped for, Captain?"
"Something. Nothing. Just escape—"
"But I see no women—how could you begin again, as you suggest?"
"Women? Too weak; they would not have lasted. We brought along eggs and machines—enough for our needs."
Mr. Greypoole clucked his tongue. "Mr. Waldmeyer certainly did look ahead," he muttered, "he certainly did."
"Will we be honest now? Will you help us?"
"Yes, Captain, I will help you. Let us go back to your rocket." Mr. Greypoole smiled. "Things will be better there."
Captain Webber signaled. They left the building and walked by the foot of a white mountain.
They passed a garden with little spotted trees and flowers, a brown desert of shifting sands and a striped tent; they walked by strawberry fields and airplane hangars and coal mines; tiny yellow cottages, cramped apartments, fluted houses and Tudor houses and houses without description....
Past rock pools and a great zoo full of animals that stared out of vacant eyes; and everywhere, the seasons changing gently: crisp autumn, cottony summer, windy spring and winters cool and white....
The six men in uniforms followed the little man with the thin hair. They did not speak as they walked, but looked around, stared, craned, wondered....
And the old, young, middle-aged, white, brown, yellow people who did not move wondered back at the men with their eyes....
"You see, Captain, the success of Mr. Waldmeyer's plan?"
Captain Webber rubbed his cheek.
"I don't understand," he said.
"But you do see, all of you, the perfection here, the quality of Eternal Happiness which the circular speaks of?"
"Yes ... we see that."
"Here we have happiness and brotherhood, here there have never been wars or hatreds or prejudices. And now you who were many and left Earth to escape war and hatred, who were many by your own word and are now only six, you want to begin life here?"
Cross-breezes ruffled the men's hair.
"To begin, when from the moment of your departure you had wars of your own, and killed, and hurled mocking prejudice against a race of people not like you, a race who rejected and cast you out into space again! From your own account! No gentlemen, I am truly sorry. It may be that I misjudged those of you who are left, or rather, that Happy Glades misjudged you. You may mean well, after all—and, of course, the location of this asteroid was so planned by the Board as to be uncharted forever. But—oh, I am sorry." Mr. Greypoole sighed.
"What does he mean by that?" asked Mr. Friden and Lieutenant Peterson.
Captain Webber was gazing at a herd of cows in the distance.
"What do you mean, you're 'sorry'?" demanded Mr. Friden.
"Well...."
"Captain Webber!" cried Mr. Chitterwick, blinking.
"Yes, yes?"
"I feel queer."
Mr. Goeblin clutched at his stomach.
"So do I!"
"And me!"
Captain Webber looked back at the fields, then at Mr. Greypoole. His mouth twitched in sudden pain.
"We feel awful, Captain!"
"I'm sorry, gentlemen. Follow me to your ship, quickly." Mr. Greypoole motioned curiously with his hands and began to step briskly.
They circled a small pond where a motionless boy strained toe-high on an extended board. And the day once again turned to night as they hurried past a shadowed cathedral.
When they were in sight of the scorched trees, Mr. Milton doubled up and screamed.
"Captain!"
Mr. Goeblin struck his forehead. "I told you, I told you we shouldn't have drunk that wine! Didn't I tell you?"
"It was the wine—and we all drank it. He did it, he poisoned us!"
"Follow me!" cried Mr. Greypoole, making a hurried gesture and breaking into a run. "Faster!"
They stumbled hypnotically through the park, over the Mandarin-bridges to the rock.
"Tell them, Captain, tell them to climb the ladder."
"Go on up, men."
"But we're poisoned, sir!"
"Hurry! There's—an antidote in the ship."
The crew climbed into the ship.
"Captain," invited Mr. Greypoole.
Captain Webber ascended jerkily. When he reached the open lock, he turned. His eyes swept over the hills and fields and mountains, over the rivers and houses and still people. He coughed and pulled himself into the rocket.
Mr. Greypoole followed.
"You don't dislike this ship, do you—that is, the surroundings are not offensive?"
"No; we don't dislike the ship."
"I am glad of that—if only I had been allowed more latitude! But everything functions so well here; no real choice in the matter, actually. No more than the Sealing Film. And they would leave me with these human emotions! I see, of course, why the communications system doesn't work, why my calendar is out of commission. Kind of Mr. Waldmeyer to arrange for them to stop when his worst fears finally materialized. Are the men all seated? No, no, they mustn't writhe about the floor like that. Get them to their stations—no, to the stations they would most prefer. And hurry!"
Captain Webber ordered Mr. Chitterwick to the galley, Mr. Goeblin to the engineering chair, Mr. Friden to the navigator's room....
"Sir, what's going to happen? Where's the antidote?"
Mr. Milton to the pilot's chair....
"The pain will last only another moment or so—it's unfortunately part of the Eternifier," said Mr. Greypoole. "There, all in order? Good, good. Now, Captain, I see understanding in your face; that pleases me more than I can say. My position is so difficult! But you can see, when a machine is geared to its job—which is to retain permanence on HAPPY GLADES—well, a machine is a machine. Where shall we put you?"
Captain Webber leaned on the arm of the little man and walked to the open lock.
"You do understand?" asked Mr. Greypoole.
Captain Webber's head nodded halfway down, then stopped; and his eyes froze forever upon the City.
"A pity...."
The little man with the thin hair walked about the cabins and rooms, straightening, dusting; he climbed down the ladder, shook his head and started down the path to the wooden house.
When he had washed all the empty glasses and replaced them, he sat down in the large leather chair and adjusted himself into the most comfortable position.
His eyes stared in waxen contentment at the homely interior, with its lavender wallpaper, needle-point tapestries and tidy arrangement.
He did not move.
End of the Project Gutenberg EBook of Elegy, by Charles Beaumont
*** END OF THIS PROJECT GUTENBERG EBOOK ELEGY ***
***** This file should be named 32819-h.htm or 32819-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/2/8/1/32819/
Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a
Comments (0)