A Book of English Prose by Percy Lubbock (my reading book TXT) 📕

fill of gazing on those emblems and coruscations of invisible unoriginate perfection. It was the stranger from a remote province, from Britain or from Mauritania, who in a scene so different from that of his chilly, woody swamps, or of {140} his fiery choking sands, learned at once what a real University must be, by coming to understand the sort of country which was its suitable home.

(Historical Sketches.)

NATHANIEL HAWTHORNE 1804-1864 THE HOUSE OF THE SEVEN GABLES

A descriptive paragraph or two, treating of the seven-gabled mansion in its more recent aspect, will bring this preliminary chapter to a close. The street in which it upreared its venerable peaks has long ceased to be a fashionable quarter of the town; so that, though the old edifice was surrounded by habitations of modern date, they were mostly small, built entirely of wood, and typical of the most plodding uniformity of common life. Doubtless, however, the whole story of human existence may be latent in each of them, but with no picturesqueness, externally, that can attract the imagination or sympathy to seek it there. But as for the old structure of our story, its white-oak frame, and its boards, shingles, and crumbling plaster, and even the huge clustered chimney in the midst, seemed to constitute only the least and meanest part of its reality. So much of mankind's varied experience had passed there,—so much had been suffered, and something, too, enjoyed,—that the very timbers were oozy, as with the moisture of a heart. It was itself like a great human heart, with a life of its own, and full of rich and sombre reminiscences.

{141} The deep projection of the second story gave the house such a meditative look, that you could not pass it without the idea that it had secrets to keep, and an eventful history to moralize upon. In front, just on the edge of the unpaved sidewalk, grew the Pyncheon-elm, which, in reference to such trees as one usually meets with, might well be termed gigantic. It had been planted by a great-grandson of the first Pyncheon, and, though now fourscore years of age, or perhaps nearer a hundred, was still in its strong and broad maturity, throwing its shadow from side to side of the street, overtopping the seven gables, and sweeping the whole black roof with its pendent foliage. It gave beauty to the old edifice, and seemed to make it a part of nature. The street having been widened about forty years ago, the front gable was now precisely on a line with it. On either side extended a ruinous wooden fence, of open lattice-work, through which could be seen a grassy yard, and, especially in the angles of the building, an enormous fertility of burdocks, with leaves, it is hardly an exaggeration to say, two or three feet long. Behind the house there appeared to be a garden, which undoubtedly had once been extensive, but was now infringed upon by other enclosures, or shut in by habitations and out-buildings that stood on another street. It would be an omission, trifling indeed, but unpardonable, were we to forget the green moss that had long since gathered over the projections of the windows, and on the slopes of the roof; nor must we fail to direct the reader's eye to a crop, not of weeds, but flower-shrubs, which were growing aloft in the air, not a great way from the chimney, in the nook between two of the gables. {142} They were called Alice's Posies. The tradition was, that a certain Alice Pyncheon had flung up the seeds in sport, and that the dust of the street and the decay of the roof gradually formed a kind of soil for them, out of which they grew, when Alice had long been in her grave. However the flowers might have come there, it was both sad and sweet to observe how nature adopted to herself this desolate, decaying, gusty, rusty old house of the Pyncheon family; and how the ever-returning summer did her best to gladden it with tender beauty, and grew melancholy in the effort.

There is one other feature, very essential to be noticed, but which, we greatly fear, may damage any picturesque and romantic impression which we have been willing to throw over our sketch of this respectable edifice. In the front gable, under the impending brow of the second story, and contiguous to the street, was a shop-door, divided horizontally in the midst, and with a window for its upper segment, such as is often seen in dwellings of a somewhat ancient date. This same shop-door had been a subject of no slight mortification to the present occupant of the august Pyncheon-house, as well as to some of her predecessors. The matter is disagreeably delicate to handle; but, since the reader must needs be let into the secret, he will please to understand, that about a century ago, the head of the Pyncheons found himself involved in serious financial difficulties. The fellow (gentleman, as he styled himself) can hardly have been other than a spurious interloper; for, instead of seeking office from the king or the royal governor, or urging his hereditary claim to eastern lands, he bethought {143} himself of no better avenue to wealth than by cutting a shop-door through the side of his ancestral residence. It was the custom of the time, indeed, for merchants to store their goods and transact business in their own dwellings. But there was something pitifully small in this old Pyncheon's mode of setting about his commercial operations; it was whispered, that, with his own hands, all be-ruffled as they were, he used to give change for a shilling, and would turn a half-penny twice over, to make sure that it was a good one. Beyond all question, he had the blood of a petty huckster in his veins, through whatever channel it may have found its way there.

Immediately on his death, the shop-door had been locked, bolted, and barred, and, down to the period of our story, had probably never once been opened. The old counter, shelves, and other fixtures of the little shop remained just as he had left them. It used to be affirmed, that the dead shopkeeper, in a white wig, a faded velvet coat, an apron at his waist, and his ruffles carefully turned back from his wrists, might be seen through the chinks of the shutters, any night of the year, ransacking his till, or poring over the dingy pages of his day-book. From the look of unutterable woe upon his face, it appeared to be his doom to spend eternity in a vain effort to make his accounts balance.

And now—in a very humble way, as will be seen—we proceed to open our narrative.

(House of the Seven Gables.)

{144}

WILLIAM MAKEPEACE THACKERAY 1811-1863 DENIS DUVAL'S FIRST JOURNEY TO LONDON

At Michaelmas, in the year 1776 (I promise you I remember the year), my dear and kind friend, Doctor Barnard, having to go to London with his rents, proposed to take me to London to see my other patron, Sir Peter Denis, between whom and the Doctor there was a great friendship; and it is to those dear friends that I owe the great good fortune which has since befallen me in life. Indeed, when I think of what I might have been, of what I have escaped, my heart is full of thankfulness for the great mercies which have fallen to my share. Well, at this happy and eventful Michaelmas of 1776, Doctor Barnard says to me, "Denis, my child, if thy mother will grant leave, I have a mind to take thee to see thy god-father, Sir Peter Denis, in London. I am going up with my rents, my neighbour Weston will share the horses with me, and thou shall see the Tower and Mr Salmon's wax-work before thou art a week older."

You may suppose that this proposition made Master Denis Duval jump for joy. Of course I had heard of London all my life, and talked with people who had been there, but that I should go myself to Admiral Sir Peter Denis's house, and see the play, St Paul's and Mr Salmon's, here was a height of bliss I had never hoped to attain. I could not sleep for thinking of my pleasure; I had {145} some money, and I promised to buy as many toys for Agnes as the Chevalier used to bring her. My mother said I should go like a gentleman, and turned me out in a red waistcoat with plate buttons, a cock to my hat, and ruffles to my shirts. How I counted the hours of the night before our departure! I was up before the dawn, packing my little valise. I got my little brass-barrelled pocket-pistol, and I loaded it with shot. I put it away into my breast-pocket; and if we met with a highwayman I promised myself he should have my charge of lead in his face. The Doctor's postchaise was at his stables not very far from us. The stable lanterns were alight, and Brown, the Doctor's man, cleaning the carriage, when Mr Denis Duval comes up to the stable-door, lugging his portmanteau after him through the twilight. Was ever daylight so long a-coming? Ah! there comes the horses at last; the horses from the "King's Head," and old Pascoe, the one-eyed postillion. How well I remember the sound of their hoofs in that silent street! I can tell everything that happened on that day; what we had for dinner—viz., veal cutlets and French beans, at Maidstone; where we changed horses, and the colour of the horses. "Here, Brown! here's my portmanteau! I say, where shall I stow it?" My portmanteau was about as large as a good-sized apple-pie. I jump into the carriage and we drive up to the rectory: and I think the Doctor will never come out. There he is at last: with his mouth full of buttered toast, and I bob my head to him a hundred times out of the chaise window. Then I must jump out, forsooth. "Brown, shall I give you a hand with the luggage?" says I, and I dare say they all laugh. Well, {146} I am so happy that anybody may laugh who likes. The Doctor comes out, his precious box under his arm. I see dear Mrs Barnard's great cap nodding at us out of the parlour window as we drive away from the Rectory door to stop a hundred yards further on at the Priory.

There at the parlour window stands my dear little Agnes, in a white frock, in a great cap with a blue riband and bow, and curls clustering over her face. I wish Sir Joshua Reynolds had painted thee in those days, my dear: but thou wert the very image of one of his little ladies, that one who became Duchess of Buccleuch afterwards. There is my Agnes, and now presently comes out Mr Weston's man and luggage, and it is fixed on the roof. Him, his master, Mr George Weston, follows. This was the most good-natured of the two, and I shall never forget my sensation of delight, when I saw him bring out two holster-pistols, which he placed each in a pocket of the chaise. Is Tommy Chapman, the apothecary's son of Westgate, alive yet, and does he remember my wagging my head to him as our chaise whirled by? He was shaking a mat at the door of his father's shop as my lordship accompanied by my noble friends passed by.

First stage, Ham Street, "The Bear." A grey horse and a bay to change, I remember them. Second stage, Ashford. Third stage—I think I am asleep about the third stage; and no wonder, a poor little wretch who had been awake half the night before, and no doubt many nights previous, thinking of this wonderful journey. Fourth stage, Maidstone, "The Bell." "And here we will stop to dinner, master Shrimp-catcher," says the Doctor, and I jump down out of the carriage, nothing {147} loth. The Doctor followed with his box, of which he never lost sight.

The Doctor liked his ease in his inn, and took his sip of punch so comfortably, that I, for my part, thought he never would be gone. I was out in the stables and looking at the horses, and talking to the ostler who was rubbing his nags down.