The Seven Lamps of Architecture by John Ruskin (books like harry potter TXT) 📕

are to begin to work; admitting not so much as an alteration in the depth of a cavetto, or the breadth of a fillet. Then, when our sight is once accustomed to the grammatical forms and arrangements, and our thoughts familiar with the expression of them all; when we can speak this dead language naturally, and apply it to whatever ideas we have to render, that is to say, to every practical purpose of life; then, and not till then, a license might be permitted; and individual authority allowed to change or to add to the received forms, always within certain limits; the decorations, especially, might be made subjects of variable fancy, and enriched with ideas either original or taken from other schools. And thus in process of time and by a great national movement, it might come to pass, that a new style should arise, as language itself changes; we might perhaps come to speak Italian instead of Latin, or to speak modern instead of old English; but this would be a matter of entire indifference, and a matter, besides, which no determination or desire could either hasten or prevent. That alone which it is in our power to obtain, and which it is our duty to desire, is an unanimous style of some kind, and such comprehension and practice of it as would enable us to adapt its features to the peculiar character of every several building, large or small, domestic, civil, or ecclesiastical. I have said that it was immaterial what style was adopted, so far as regards the room for originality which its developement would admit: it is not so, however, when we take into consideration the far more important questions of the facility of adaptation to general purposes, and of the sympathy with which this or that style would be popularly regarded. The choice of Classical or Gothic, again using the latter term in its broadest sense, may be questionable when it regards some single and considerable public building; but I cannot conceive it questionable, for an instant, when it regards modern uses in general: I cannot conceive any architect insane enough to project the vulgarization of Greek architecture. Neither can it be rationally questionable whether we should adopt early or late, original or derivative Gothic: if the latter were chosen, it must be either some impotent and ugly degradation, like our own Tudor, or else a style whose grammatical laws it would be nearly impossible to limit or arrange, like the French Flamboyant. We are equally precluded from adopting styles essentially infantine or barbarous, however Herculean their infancy, or majestic their outlawry, such as our own Norman, or the Lombard Romanesque. The choice would lie I think between four styles:—1. The Pisan Romanesque; 2. The early Gothic of the Western Italian Republics, advanced as far and as fast as our art would enable us to the Gothic of Giotto; 3. The Venetian Gothic in its purest developement; 4. The English earliest decorated. The most natural, perhaps the safest choice, would be of the last, well fenced from chance of again stiffening into the perpendicular; and perhaps enriched by some mingling of decorative elements from the exquisite decorated Gothic of France, of which, in such cases, it would be needful to accept some well known examples, as the North door of Rouen and the church of St. Urbain at Troyes, for final and limiting authorities on the side of decoration.

VIII. It is almost impossible for us to conceive, in our present state of doubt and ignorance, the sudden dawn of intelligence and fancy, the rapidly increasing sense of power and facility, and, in its proper sense, of Freedom, which such wholesome restraint would instantly cause throughout the whole circle of the arts. Freed from the agitation and embarrassment of that liberty of choice which is the cause of half the discomforts of the world; freed from the accompanying necessity of studying all past, present, or even possible styles; and enabled, by concentration of individual, and co-operation of multitudinous energy, to penetrate into the uttermost secrets of the adopted style, the architect would find his whole understanding enlarged, his practical knowledge certain and ready to hand, and his imagination playful and vigorous, as a child's would be within a walled garden, who would sit down and shudder if he were left free in a fenceless plain. How many and how bright would be the results in every direction of interest, not to the arts merely, but to national happiness and virtue, it would be as difficult to preconceive as it would seem extravagant to state: but the first, perhaps the least, of them would be an increased sense of fellowship among ourselves, a cementing of every patriotic bond of union, a proud and happy recognition of our affection for and sympathy with each other, and our willingness in all things to submit ourselves to every law that would advance the interest of the community; a barrier, also, the best conceivable, to the unhappy rivalry of the upper and middle classes, in houses, furniture, and establishments; and even a check to much of what is as vain as it is painful in the oppositions of religious parties respecting matters of ritual. These, I say, would be the first consequences. Economy increased tenfold, as it would be by the simplicity of practice; domestic comforts uninterfered with by the caprice and mistakes of architects ignorant of the capacities of the styles they use, and all the symmetry and sightliness of our harmonized streets and public buildings, are things of slighter account in the catalogue of benefits. But it would be mere enthusiasm to endeavor to trace them farther. I have suffered myself too long to indulge in the speculative statement of requirements which perhaps we have more immediate and more serious work than to supply, and of feelings which it may be only contingently in our power to recover. I should be unjustly thought unaware of the difficulty of what I have proposed, or of the unimportance of the whole subject as compared with many which are brought home to our interests and fixed upon our consideration by the wild course of the present century. But of difficulty and of importance it is for others to judge. I have limited myself to the simple statement of what, if we desire to have architecture, we MUST primarily endeavor to feel and do: but then it may not be desirable for us to have architecture at all. There are many who feel it to be so; many who sacrifice much to that end; and I am sorry to see their energies wasted and their lives disquieted in vain. I have stated, therefore, the only ways in which that end is attainable, without venturing even to express an opinion as to its real desirableness. I have an opinion, and the zeal with which I have spoken may sometimes have betrayed it, but I hold to it with no confidence. I know too well the undue importance which the study that every man follows must assume in his own eyes, to trust my own impressions of the dignity of that of Architecture; and yet I think I cannot be utterly mistaken in regarding it as at least useful in the sense of a National employment. I am confirmed in this impression by what I see passing among the states of Europe at this instant. All the horror, distress, and tumult which oppress the foreign nations, are traceable, among the other secondary causes through which God is working out His will upon them, to the simple one of their not having enough to do. I am not blind to the distress among their operatives; nor do I deny the nearer and visibly active causes of the movement: the recklessness of villany in the leaders of revolt, the absence of common moral principle in the upper classes, and of common courage and honesty in the heads of governments. But these causes themselves are ultimately traceable to a deeper and simpler one: the recklessness of the demagogue, the immorality of the middle class, and the effeminacy and treachery of the noble, are traceable in all these nations to the commonest and most fruitful cause of calamity in households—idleness. We think too much in our benevolent efforts, more multiplied and more vain day by day, of bettering men by giving them advice and instruction. There are few who will take either: the chief thing they need is occupation. I do not mean work in the sense of bread,—I mean work in the sense of mental interest; for those who either are placed above the necessity of labor for their bread, or who will not work although they should. There is a vast quantity of idle energy among European nations at this time, which ought to go into handicrafts; there are multitudes of idle semi-gentlemen who ought to be shoemakers and carpenters; but since they will not be these so long as they can help it, the business of the philanthropist is to find them some other employment than disturbing governments. It is of no use to tell them they are fools, and that they will only make themselves miserable in the end as well as others: if they have nothing else to do, they will do mischief; and the man who will not work, and who has no means of intellectual pleasure, is as sure to become an instrument of evil as if he had sold himself bodily to Satan. I have myself seen enough of the daily life of the young educated men of France and Italy, to account for, as it deserves, the deepest national suffering and degradation; and though, for the most part, our commerce and our natural habits of industry preserve us from a similar paralysis, yet it would be wise to consider whether the forms of employment which we chiefly adopt or promote, are as well calculated as they might be to improve and elevate us.

We have just spent, for instance, a hundred and fifty millions, with which we have paid men for digging ground from one place and depositing it in another. We have formed a large class of men, the railway navvies, especially reckless, unmanageable, and dangerous. We have maintained besides (let us state the benefits as fairly as possible) a number of iron founders in an unhealthy and painful employment; we have developed (this is at least good) a very large amount of mechanical ingenuity; and we have, in fine, attained the power of going fast from one place to another. Meantime we have had no mental interest or concern ourselves in the operations we have set on foot, but have been left to the usual vanities and cares of our existence. Suppose, on the other hand, that we had employed the same sums in building beautiful houses and churches. We should have maintained the same number of men, not in driving wheelbarrows, but in a distinctly technical, if not intellectual, employment, and those who were more intelligent among them would have been especially happy in that employment, as having room in it for the developement of their fancy, and being directed by it to that observation of beauty which, associated with the pursuit of natural science, at present forms the enjoyment of many of the more intelligent manufacturing operatives. Of mechanical ingenuity, there is, I imagine, at least as much required to build a cathedral as to cut a tunnel or contrive a locomotive: we should, therefore, have developed as much science, while the artistical element of intellect would have been added to the gain. Meantime we should ourselves have been made happier and wiser by the interest we should have taken in the work with which we were personally concerned; and when all was done, instead of