Fromont and Risler by Alphonse Daudet (i love reading txt) 📕

small salon. They were Risler's bride and his partner, Georges Fromont. Equally young and attractive, they were talking in undertones, confining their words within the narrow circle of the waltz.
"You lie!" said Sidonie, slightly pale, but with the same little smile.
And the other, paler than she, replied:
"I do not lie. It was my uncle who insisted upon this marriage. He was dying--you had gone away. I dared not say no."
Risler, at a distance, gazed at them in admiration.
"How pretty she is! How well they dance!"
But, when they spied him, the dancers separated, and Sidonie walked quickly to him.
"What! You here? What are you doing? They are looking everywhere for you. Why aren't you in there?"
As she spoke she retied his cravat with a pretty, impatient gesture. That enchanted Risler, who smiled at Sigismond from the corner of his eye, too overjoyed at feeling the touch of that little gloved hand on his neck, to notice that she was trembling to the ends of her slender fingers.
"Give me your arm," she said to him, and they returned together to the salons. The white bridal gown with its long train made the badly cut, awkwardly worn black coat appear even more uncouth; but a coat can not be retied like a cravat; she must needs take it as it was. As they passed along, returning the salutations of all the guests who were so eager to smile upon them, Sidonie had a momentary thrill of pride, of satisfied vanity. Unhappily it did not last. In a corner of the room sat a young and attractive woman whom nobody invited to dance, but who looked on at the dances with a placid eye, illumined by all the joy of a first maternity. As soon as he saw her, Risler walked straight to the corner where she sat and compelled Sidonie to sit beside her. Needless to say that it was Madame "Chorche." To whom else would he have spoken with such affectionate respect? In what other hand than hers could he have placed his little Sidonie's, saying: "You will love her dearly, won't you? You are so good. She needs your advice, your knowledge of the world."
"Why, my dear Risler," Madame Georges replied, "Sidonie and I are old friends. We have reason to be fond of each other still."
And her calm, straightforward glance strove unsuccessfully to meet that of her old friend.
With his ignorance of women, and his habit of treating Sidonie as a child, Risler continued in the same tone:
"Take her for your model, little one. There are not two people in the world like Madame Chorche. She has her poor father's heart. A true Fromont!"
Sidonie, with her eyes cast down, bowed without replying, while an imperceptible shudder ran from the tip of her satin shoe to the topmost bit of orange-blossom in her crown. But honest Risler saw nothing. The excitement, the dancing, the music, the flowers, the lights made him drunk, made him mad. He believed that every one breathed the same atmosphere of bliss beyond compare which enveloped him. He had no perception of the rivalries, the petty hatreds that met and passed one another above all those bejewelled foreheads.
He did not notice Delobelle, standing with his elbow on the mantel, one hand in the armhole of his waistcoat and his hat upon his hip, weary of his eternal attitudinizing, while the hours slipped by and no one thought of utilizing his talents. He did not notice M. Chebe, who was prowling darkly between the two doors, more incensed than ever against the Fromonts. Oh! those Fromonts!--How large a place they filled at that wedding! They were all there with their wives, their children, their friends, their friends' friends. One would have said that one of themselves was being married. Who had a word to say of the Rislers or the Chebes? Why, he--he, the father, had not even been presented!--And the little man's rage was redoubled by the attitude of Madame Chebe, smiling maternally upon one and all in her scarab-hued dress.
Furthermore, there were at this, as at almost all wedding-parties, two distinct currents which came together but without mingling. One of the two soon gave place to the other. The Fromonts, who irritated Monsieur Chebe so much and who formed the aristocracy of the ball, the president of the Chamber of Commerce, the syndic of the solicitors, a famous chocolate-manufacturer and member of the Corps Legislatif, and the old millionaire Gardinois, all retired shortly after midnight. Georges Fromont and his wife entered their carriage behind them. Only the Risler and Chebe party remained, and the festivity at once changed its aspect, becoming more uproarious.
The illustrious Delobelle, disgusted to see that no one called upon him for anything, decided to call upon himself for something, and began in a voice as resonant as a gong the monologue from Ruy Blas: "Good appetite, Messieurs!" while the guests thronged to the buffet, spread with chocolate and glasses of punch. Inexpensive little costumes were displayed upon the benches, overjoyed to produce their due effect at last; and here and there divers young shop-clerks, consumed with conceit, amused themselves by venturing upon a quadrille.
The bride had long wished to take her leave. At last she disappeared with Risler and Madame Chebe. As for Monsieur Chebe, who had recovered all his importance, it was impossible to induce him to go. Some one must be there to do the honors, deuce take it! And I assure you that the little man assumed the responsibility! He was flushed, lively, frolicsome, noisy, almost seditious. On the floor below he could be heard talking politics with Vefour's headwaiter, and making most audacious statements.
Through the deserted streets the wedding-carriage, the tired coachman holding the white reins somewhat loosely, rolled heavily toward the Marais.
Madame Chebe talked continuously, enumerating all the splendors of that memorable day, rhapsodizing especially over the dinner, the commonplace menu of which had been to her the highest display of magnificence. Sidonie mused in the darkness of the carriage, and Risler, sitting opposite her, even though he no longer said, "I am very happy," continued to think it with all his heart. Once he tried to take possession of a little white hand that rested against the closed window, but it was hastily withdrawn, and he sat there without moving, lost in mute admiration.
They drove through the Halles and the Rue de Rambuteau, thronged with kitchen-gardeners' wagons; and, near the end of the Rue des Francs-Bourgeois, they turned the corner of the Archives into the Rue de Braque. There they stopped first, and Madame Chebe alighted at her door, which was too narrow for the magnificent green silk frock, so that it vanished in the hall with rustlings of revolt and with all its folds muttering. A few minutes later, a tall, massive portal on the Rue des Vieilles-Haudriettes, bearing on the escutcheon that betrayed the former family mansion, beneath half-effaced armorial bearings, a sign in blue letters, Wall Papers, was thrown wide open to allow the wedding-carriage to pass through.
Thereupon the bride, hitherto motionless and like one asleep, seemed to wake suddenly, and if all the lights in the vast buildings, workshops or storehouses, which surrounded the courtyard, had not been extinguished, Risler might have seen that pretty, enigmatical face suddenly lighted by a smile of triumph. The wheels revolved less noisily on the fine gravel of a garden, and soon stopped before the stoop of a small house of two floors. It was there that the young Fromonts lived, and Risler and his wife were to take up their abode on the floor above. The house had an aristocratic air. Flourishing commerce avenged itself therein for the dismal street and the out-of-the-way quarter. There was a carpet on the stairway leading to their apartment, and on all sides shone the gleaming whiteness of marble, the reflection of mirrors and of polished copper.
While Risler was parading his delight through all the rooms of the new apartment, Sidonie remained alone in her bedroom. By the light of the little blue lamp hanging from the ceiling, she glanced first of all at the mirror, which gave back her reflection from head to foot, at all her luxurious surroundings, so unfamiliar to her; then, instead of going to bed, she opened the window and stood leaning against the sill, motionless as a statue.
The night was clear and warm. She could see distinctly the whole factory, its innumerable unshaded windows, its glistening panes, its tall chimney losing itself in the depths of the sky, and nearer at hand the lovely little garden against the ancient wall of the former mansion. All about were gloomy, miserable roofs and squalid streets. Suddenly she started. Yonder, in the darkest, the ugliest of all those attics crowding so closely together, leaning against one another, as if overweighted with misery, a fifth-floor window stood wide open, showing only darkness within. She recognized it at once. It was the window of the landing on which her parents lived.
The window on the landing!
How many things the mere name recalled! How many hours, how many days she had passed there, leaning on that damp sill, without rail or balcony, looking toward the factory. At that moment she fancied that she could see up yonder little Chebe's ragged person, and in the frame made by that poor window, her whole child life, her deplorable youth as a Parisian street arab, passed before her eyes.


CHAPTER II. LITTLE CHEBE'S STORY
In Paris the common landing is like an additional room, an enlargement of their abodes, to poor families confined in their too small apartments. They go there to get a breath of air in summer, and there the women talk and the children play.
When little Chebe made too much noise in the house, her mother would say to her: "There there! you bother me, go and play on the landing." And the child would go quickly enough.
This landing, on the upper floor of an old house in which space had not been spared, formed a sort of large lobby, with a high ceiling, guarded on the staircase side by a wrought-iron rail, lighted by a large window which looked out upon roofs, courtyards, and other windows, and, farther away, upon the garden of the Fromont factory, which was like a green oasis among the huge old walls.
There was nothing very cheerful about it, but the child liked it much better than her own home. Their rooms were dismal, especially when it rained and Ferdinand did not go out.
With his brain always smoking with new ideas, which unfortunately never came to anything, Ferdinand Chebe was one of those slothful, project-devising bourgeois of when there are so many in Paris. His wife, whom he had dazzled at first, had soon detected his utter insignificance, and had ended by enduring patiently and with unchanged demeanor his continual dreams of wealth and the disasters that immediately followed them.
Of the dot of eighty thousand francs which she had brought him, and which he had squandered in his absurd schemes, only a small annuity remained, which still gave them a position of some importance in the eyes of their neighbors, as did Madame Chebe's cashmere, which had been rescued from every wreck, her wedding laces and two diamond studs, very tiny and very modest, which Sidonie sometimes begged her mother to show her, as they lay in the drawer of the bureau, in an old-fashioned white velvet case, on which the jeweller's name, in gilt letters, thirty years old, was gradually fading. That was the only bit of luxury in that poor annuitant's abode.
For a very long time M. Chebe had sought a place which would enable him to eke out their slender income. But he sought it only in what