Fromont and Risler by Alphonse Daudet (i love reading txt) 📕

fatigue, made no reply, but fell asleep standing, beginning a lovely dream which was to last throughout her youth and cost her many tears.
Claire Fromont kept her word. Sidonie often went to play in the beautiful gravelled garden, and was able to see at close range the carved blinds and the dovecot with its threads of gold. She came to know all the corners and hiding-places in the great factory, and took part in many glorious games of hide-and-seek behind the printing-tables in the solitude of Sunday afternoon. On holidays a plate was laid for her at the children's table.
Everybody loved her, although she never exhibited much affection for any one. So long as she was in the midst of that luxury, she was conscious of softer impulses, she was happy and felt that she was embellished by her surroundings; but when she returned to her parents, when she saw the factory through the dirty panes of the window on the landing, she had an inexplicable feeling of regret and anger.
And yet Claire Fromont treated her as a friend.
Sometimes they took her to the Bois, to the Tuileries, in the famous blue-lined carriage, or into the country, to pass a whole week at Grandfather Gardinois's chateau, at Savigny-sur-Orge. Thanks to the munificence of Risler, who was very proud of his little one's success, she was always presentable and well dressed. Madame Chebe made it a point of honor, and the pretty, lame girl was always at hand to place her treasures of unused coquetry at her little friend's service.
But M. Chebe, who was always hostile to the Fromonts, looked frowningly upon this growing intimacy. The true reason was that he himself never was invited; but he gave other reasons, and would say to his wife:
"Don't you see that your daughter's heart is sad when she returns from that house, and that she passes whole hours dreaming at the window?"
But poor Madame Chebe, who had been so unhappy ever since her marriage, had become reckless. She declared that one should make the most of the present for fear of the future, should seize happiness as it passes, as one often has no other support and consolation in life than the memory of a happy childhood.
For once it happened that M. Chebe was right.


CHAPTER III. THE FALSE PEARLS
After two or three years of intimacy with Claire, of sharing her amusements, years during which Sidonie acquired the familiarity with luxury and the graceful manners of the children of the wealthy, the friendship was suddenly broken.
Cousin Georges, whose guardian M. Fromont was, had entered college some time before. Claire in her turn took her departure for the convent with the outfit of a little queen; and at that very time the Chebes were discussing the question of apprenticing Sidonie to some trade. They promised to love each other as before and to meet twice a month, on the Sundays that Claire was permitted to go home.
Indeed, little Chebe did still go down sometimes to play with her friends; but as she grew older she realized more fully the distance that separated them, and her clothes began to seem to her very simple for Madame Fromont's salon.
When the three were alone, the childish friendship which made them equals prevented any feeling of embarrassment; but visitors came, girl friends from the convent, among others a tall girl, always richly dressed, whom her mother's maid used to bring to play with the little Fromonts on Sunday.
As soon as she saw her coming up the steps, resplendent and disdainful, Sidonie longed to go away at once. The other embarrassed her with awkward questions. Where did she live? What did her parents do? Had she a carriage?
As she listened to their talk of the convent and their friends, Sidonie felt that they lived in a different world, a thousand miles from her own; and a deathly sadness seized her, especially when, on her return home, her mother spoke of sending her as an apprentice to Mademoiselle Le Mire, a friend of the Delobelles, who conducted a large false-pearl establishment on the Rue du Roi-Dore.
Risler insisted upon the plan of having the little one serve an apprenticeship. "Let her learn a trade," said the honest fellow. "Later I will undertake to set her up in business."
Indeed, this same Mademoiselle Le Mire spoke of retiring in a few years. It was an excellent opportunity.
One morning, a dull day in November, her father took her to the Rue du Rio-Dore, to the fourth floor of an old house, even older and blacker than her own home.
On the ground floor, at the entrance to the hall, hung a number of signs with gilt letters: Depot for Travelling-Bags, Plated Chains, Children's Toys, Mathematical Instruments in Glass, Bouquets for Brides and Maids of Honor, Wild Flowers a Specialty; and above was a little dusty show-case, wherein pearls, yellow with age, glass grapes and cherries surrounded the pretentious name of Angelina Le Mire.
What a horrible house!
It had not even a broad landing like that of the Chebes, grimy with old age, but brightened by its window and the beautiful prospect presented by the factory. A narrow staircase, a narrow door, a succession of rooms with brick floors, all small and cold, and in the last an old maid with a false front and black thread mitts, reading a soiled copy of the 'Journal pour Tous,' and apparently very much annoyed to be disturbed in her reading.
Mademoiselle Le Mire (written in two words) received the father and daughter without rising, discoursed at great length of the rank she had lost, of her father, an old nobleman of Le Rouergue--it is most extraordinary how many old noblemen Le Rouergue has produced!--and of an unfaithful steward who had carried off their whole fortune. She instantly aroused the sympathies of M. Chebe, for whom decayed gentlefolk had an irresistible charm, and he went away overjoyed, promising his daughter to call for her at seven o'clock at night in accordance with the terms agreed upon.
The apprentice was at once ushered into the still empty workroom. Mademoiselle Le Mire seated her in front of a great drawer filled with pearls, needles, and bodkins, with instalments of four-sou novels thrown in at random among them.
It was Sidonie's business to sort the pearls and string them in necklaces of equal length, which were tied together to be sold to the small dealers. Then the young women would soon be there and they would show her exactly what she would have to do, for Mademoiselle Le Mire (always written in two words!) did not interfere at all, but overlooked her business from a considerable distance, from that dark room where she passed her life reading newspaper novels.
At nine o'clock the work-women arrived, five tall, pale-faced, faded girls, wretchedly dressed, but with their hair becomingly arranged, after the fashion of poor working-girls who go about bare-headed through the streets of Paris.
Two or three were yawning and rubbing their eyes, saying that they were dead with sleep.
At last they went to work beside a long table where each had her own drawer and her own tools. An order had been received for mourning jewels, and haste was essential. Sidonie, whom the forewoman instructed in her task in a tone of infinite superiority, began dismally to sort a multitude of black pearls, bits of glass, and wisps of crape.
The others, paying no attention to the little girl, chatted together as they worked. They talked of a wedding that was to take place that very day at St. Gervais.
"Suppose we go," said a stout, red-haired girl, whose name was Malvina. "It's to be at noon. We shall have time to go and get back again if we hurry."
And, at the lunch hour, the whole party rushed downstairs four steps at a time.
Sidonie had brought her luncheon in a little basket, like a school-girl; with a heavy heart she sat at a corner of the table and ate alone for the first time in her life. Great God! what a sad and wretched thing life seemed to be; what a terrible revenge she would take hereafter for her sufferings there!
At one o'clock the girls trooped noisily back, highly excited.
"Did you see the white satin gown? And the veil of point d'Angleterre? There's a lucky girl!"
Thereupon they repeated in the workroom the remarks they had made in undertones in the church, leaning against the rail, throughout the ceremony. That question of a wealthy marriage, of beautiful clothes, lasted all day long; nor did it interfere with their work-far from it.
These small Parisian industries, which have to do with the most trivial details of the toilet, keep the work-girls informed as to the fashions and fill their minds with thoughts of luxury and elegance. To the poor girls who worked on Mademoiselle Le Mire's fourth floor, the blackened walls, the narrow street did not exist. They were always thinking of something else and passed their lives asking one another:
"Malvina, if you were rich what would you do? For my part, I'd live on the Champs-Elysees." And the great trees in the square, the carriages that wheeled about there, coquettishly slackening their pace, appeared momentarily before their minds, a delicious, refreshing vision.
Little Chebe, in her corner, listened without speaking, industriously stringing her black grapes with the precocious dexterity and taste she had acquired in Desiree's neighborhood. So that in the evening, when M. Chebe came to fetch his daughter, they praised her in the highest terms.
Thereafter all her days were alike. The next day, instead of black pearls, she strung white pearls and bits of false coral; for at Mademoiselle Le Mire's they worked only in what was false, in tinsel, and that was where little Chebe was to serve her apprenticeship to life.
For some time the new apprentice-being younger and better bred than the others--found that they held aloof from her. Later, as she grew older, she was admitted to their friendship and their confidence, but without ever sharing their pleasures. She was too proud to go to see weddings at midday; and when she heard them talking of a ball at Vauxhall or the 'Delices du Marais,' or of a nice little supper at Bonvalet's or at the 'Quatre Sergents de la Rochelle,' she was always very disdainful.
We looked higher than that, did we not, little Chebe?
Moreover, her father called for her every evening. Sometimes, however, about the New Year, she was obliged to work late with the others, in order to complete pressing orders. In the gaslight those pale-faced Parisians, sorting pearls as white as themselves, of a dead, unwholesome whiteness, were a painful spectacle. There was the same fictitious glitter, the same fragility of spurious jewels. They talked of nothing but masked balls and theatres.
"Have you seen Adele Page, in 'Les Trois Mousquetaires?' And Melingue? And Marie Laurent? Oh! Marie Laurent!"
The actors' doublets, the embroidered costumes of the queens of melodrama, appeared before them in the white light of the necklaces forming beneath their fingers.
In summer the work was less pressing. It was the dull season. In the intense heat, when through the drawn blinds fruit-sellers could be heard in the street, crying their mirabelles and Queen Claudes, the workgirls slept heavily, their heads on the table. Or perhaps Malvina would go and ask Mademoiselle Le Mire for a copy of the 'Journal pour Tous,' and read aloud to the others.
But little Chebe did not care for the novels. She carried one in her head much more interesting than all that trash.
The fact is, nothing could make her forget the factory. When she set forth in the morning on her father's arm, she always cast a glance in that direction. At