The Speeches & Table-Talk of the Prophet Mohammad by Muhammad ibn 'Abd Allah (classic english novels TXT) 📕
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WORDSWORTH. Chosen and edited, with Preface, by Matthew Arnold. (Also a Large Paper Edition, Crown 8vo, 9s.)
“The selection is almost faultless.”—Saturday Review.
SHAKESPEARE’S SONNETS. Edited by F. T. Palgrave.
POEMS FROM SHELLEY. Selected and arranged by Stopford A. Brooke, M.A. (Also a Large Paper Edition, Crown 8vo, 12s. 6d.)
“Full of power and true appreciation of Shelley’s poetry.”—Spectator.
ESSAYS OF JOSEPH ADDISON. Chosen and edited by John Richard Green, M.A., LL.D.
“This is a most welcome addition to a most excellent series.”—Examiner.
SELECTIONS FROM BYRON. Chosen and arranged by Matthew Arnold. (Also a Large Paper Edition, Crown 8vo, 9s.)
“It is written in Mr. Arnold’s neatest vein and in Mr. Arnold’s most pellucid manner.”—Athenæum.
SIR THOMAS BROWNE’S RELIGIO MEDICI; Letter to a Friend, &c., and Christian Morals. Edited by W. A. GREENHILL, M.D., Oxon.
“Dr. Greenhill’s annotations display care and research to a degree rare among English editors.”—Athenæum.
MACMILLAN & CO., LONDON.
TRANSCRIBER’S NOTE
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This book was written with many words which are archaic or obsolete by today's standards. However, all such words (other than transliterations of Arabic) are listed in O.E.D., and have been maintained in this book as they were in the original. The only changes to the text were inserting omitted section and chapter titles in the Analytical Table of Contents and in the Notes chapter, and correcting such titles in those two locations when they did not match the corresponding titles elsewhere in the text.
The cover page was produced by the transcriber and is hereby placed in the public domain.
The line In the Name of God, the Compassionate, the Merciful is used as an introduction or prolog to all the chapters of the Koran, with two exceptions: This line does not appear at the beginning of chapter ix. (which does not appear in this book). And in the case of the first chapter, Fatihah (which does appear in this book), this line is part of the poetry, not a prolog or introduction. I have left the line in the book at the beginning of Fatihah separated from the rest of the chapter because that is the way it appeared in the original text. This representation is incorrect, there should be no break from the rest of the chapter.
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