Jurgen by James Branch Cabell (any book recommendations TXT) 📕

Mother Sereda, “Pandelis may not like it, and she may take holiday from her washing some day to have a word with you. However, I repeat, that is an excellent song. And in return for your praise of me, I will tell you that, if your wife has been carried off by a devil, your affair is one which Koshchei alone can remedy. Assuredly, I think it is to him you must go for justice.”

“But how may I come to him, grandmother?”

“Oh, as to that, it does not matter at all which road you follow. All highways, as the saying is, lead roundabout to Koshchei. The one thing needful is not to stand still. This much I will tell you also for your song’s sake, because that was an excellent song, and nobody ever made a song in praise of me before today.”

Now Jurgen wondered to see what a simple old creature was this Mother Sereda, who sat before him shaking and grinning and frail as a dead leaf, with her head wrapped in a common kitchen-towel, and whose power was so enormous.

“To think of it,” Jurgen reflected, “that the world I inhabit is ordered by beings who are not one-tenth so clever as I am! I have often suspected as much, and it is decidedly unfair. Now let me see if I cannot make something out of being such a monstrous clever fellow.”

Jurgen said aloud: “I do not wonder that no practising poet ever presumed to make a song of you. You are too majestical. You frighten these rhymesters, who feel themselves to be unworthy of so great a theme. So it remained for you to be appreciated by a pawnbroker, since it is we who handle and observe the treasures of this world after you have handled them.”

“Do you think so?” says she, more pleased than ever. “Now, may be that was the way of it. But I wonder that you who are so fine a poet should ever have become a pawnbroker.”

“Well, and indeed, Mother Sereda, your wonder seems to me another wonder: for I can think of no profession better suited to a retired poet. Why, there is the variety of company! for high and low and even the genteel are pressed sometimes for money: then the plowman slouches into my shop, and the duke sends for me privately. So the people I know, and the bits of their lives I pop into, give me a deal to romance about.”

“Ah, yes, indeed,” says Mother Sereda, wisely, “that well may be the case. But I do not hold with romance, myself.”

“Moreover, sitting in my shop, I wait there quiet-like while tribute comes to me from the ends of earth: everything which men and women have valued anywhere comes sooner or later to me: and jewels and fine knickknacks that were the pride of queens they bring me, and wedding rings, and the baby’s cradle with his little tooth marks on the rim of it, and silver coffin-handles, or it may be an old frying-pan, they bring me, but all comes to Jurgen. So that just to sit there in my dark shop quiet-like, and wonder about the history of my belongings and how they were made mine, is poetry, and is the deep and high and ancient thinking of a god who is dozing among what time has left of a dead world, if you understand me, Mother Sereda.”

“I understand: oho, I understand that which pertains to gods, for a sufficient reason.”

“And then another thing, you do not need any turn for business: people are glad to get whatever you choose to offer, for they would not come otherwise. So you get the shining and rough-edged coins that you can feel the proud king’s head on, with his laurel-wreath like millet seed under your fingers; and you get the flat and greenish coins that are smeared with the titles and the chins and hooked noses of emperors whom nobody remembers or cares about any longer: all just by waiting there quiet-like, and making a favor of it to let customers give you their belongings for a third of what they are worth. And that is easy labor, even for a poet.”

“I understand: I understand all labor.”

“And people treat you a deal more civilly than any real need is, because they are ashamed of trafficking with you at all: I dispute if a poet could get such civility shown him in any other profession. And finally, there is the long idleness between business interviews, with nothing to do save sit there quiet-like and think about the queerness of things in general: and that is always rare employment for a poet, even without the tatters of so many lives and homes heaped up about him like spillikins. So that I would say in all, Mother Sereda, there is certainly no profession better suited to an old poet than the profession of pawnbroking.”

“Certainly, there may be something in what you tell me,” observes Mother Sereda. “I know what the Little Gods are, and I know what work is, but I do not think about these other matters, nor about anything else. I bleach.”

“Ah, and a great deal more I could be saying, too, godmother, but for the fear of wearying you. Nor would I have run on at all about my private affairs were it not that we two are so close related. And kith makes kind, as people say.”

“But how can you and I be kin?”

“Why, heyday, and was I not born upon a Wednesday? That makes you my godmother, does it not?”

“I do not know, dearie, I am sure. Nobody ever cared to claim kin with Mother Sereda before this,” says she, pathetically.

“There can be no doubt, though, on the point, no possible doubt. Sabellius states it plainly. Artemidorus Minor, I grant you, holds the question debatable, but his reasons for doing so are tolerably notorious. Besides, what does all his flimsy sophistry avail against Nicanor’s fine chapter