The Jungle Book by Rudyard Kipling (best novels ever TXT) 📕

camp lent him a little tom-tom⁠—a drum beaten with the flat of the hand⁠—and he sat down, cross-legged, before Kala Nag as the stars began to come out, the tom-tom in his lap, and he thumped and he thumped and he thumped, and the more he thought of the great honor that had been done to him, the more he thumped, all alone among the elephant-fodder. There was no tune and no words, but the thumping made him happy.

The new elephants strained at their ropes, and squealed and trumpeted from time to time, and he could hear his mother in the camp hut putting his small brother to sleep with an old, old song about the great God Shiv, who once told all the animals what they should eat. It is a very soothing lullaby, and the first verse says:

Shiv, who poured the harvest and made the winds to blow,
Sitting at the doorways of a day of long ago,
Gave to each his portion, food and toil and fate,
From the King upon the guddee to the Beggar at the gate.
All things made he⁠—Shiva the Preserver.
Mahadeo! Mahadeo! he made all⁠—
Thorn for the camel, fodder for the kine,
And mother’s heart for sleepy head, O little son of mine!

Little Toomai came in with a joyous tunk-a-tunk at the end of each verse, till he felt sleepy and stretched himself on the fodder at Kala Nag’s side.

At last the elephants began to lie down one after another as is their custom, till only Kala Nag at the right of the line was left standing up; and he rocked slowly from side to side, his ears put forward to listen to the night wind as it blew very slowly across the hills. The air was full of all the night noises that, taken together, make one big silence⁠—the click of one bamboo-stem against the other, the rustle of something alive in the undergrowth, the scratch and squawk of a half-waked bird (birds are awake in the night much more often than we imagine), and the fall of water ever so far away. Little Toomai slept for some time, and when he waked it was brilliant moonlight, and Kala Nag was still standing up with his ears cocked. Little Toomai turned, rustling in the fodder, and watched the curve of his big back against half the stars in heaven, and while he watched he heard, so far away that it sounded no more than a pinhole of noise pricked through the stillness, the “hoot-toot” of a wild elephant.

All the elephants in the lines jumped up as if they had been shot, and their grunts at last waked the sleeping mahouts, and they came out and drove in the picket-pegs with big mallets, and tightened this rope and knotted that till all was quiet. One new elephant had nearly grubbed up his picket, and Big Toomai took off Kala Nag’s leg-chain and shackled that elephant fore foot to hind foot, but slipped a loop of grass-string round Kala Nag’s leg, and told him to remember that he was tied fast. He knew that he and his father and his grandfather had done the very same thing hundreds of times before. Kala Nag did not answer to the order by gurgling, as he usually did. He stood still, looking out across the moonlight, his head a little raised and his ears spread like fans, up to the great folds of the Garo hills.

“Look to him if he grows restless in the night,” said Big Toomai to Little Toomai, and he went into the hut and slept. Little Toomai was just going to sleep, too, when he heard the coir string snap with a little tang, and Kala Nag rolled out of his pickets as slowly and as silently as a cloud rolls out of the mouth of a valley. Little Toomai pattered after him, barefooted, down the road in the moonlight, calling under his breath, “Kala Nag! Kala Nag! Take me with you, O Kala Nag!” The elephant turned without a sound, took three strides back to the boy in the moonlight, put down his trunk, swung him up to his neck, and almost before Little Toomai had settled his knees, slipped into the forest.

There was one blast of furious trumpeting from the lines, and then the silence shut down on everything, and Kala Nag began to move. Sometimes a tuft of high grass washed along his sides as a wave washes along the sides of a ship, and sometimes a cluster of wild-pepper vines would scrape along his back, or a bamboo would creak where his shoulder touched it; but between those times he moved absolutely without any sound, drifting through the thick Garo forest as though it had been smoke. He was going uphill, but though Little Toomai watched the stars in the rifts of the trees, he could not tell in what direction.

Then Kala Nag reached the crest of the ascent and stopped for a minute, and Little Toomai could see the tops of the trees lying all speckled and furry under the moonlight for miles and miles, and the blue-white mist over the river in the hollow. Toomai leaned forward and looked, and he felt that the forest was awake below him⁠—awake and alive and crowded. A big brown fruit-eating bat brushed past his ear; a porcupine’s quills rattled in the thicket, and in the darkness between the tree-stems he heard a hog-bear digging hard in the moist warm earth, and snuffing as it digged.

Then the branches closed over his head again, and Kala Nag began to go down into the valley⁠—not quietly this time, but as a runaway gun goes down a steep bank⁠—in one rush. The huge limbs moved as steadily as pistons, eight feet to each stride, and the wrinkled skin of the elbow-points rustled. The undergrowth on either side of him ripped with a noise like torn canvas, and the saplings that he heaved